The film is dedicated to the memory of Marfa Semyonovna Kryukova, an exemplary author of "Soviet folklore" and a connoisseur of traditional folklore. The official image of 1930-1950 is replaced by the memories of fellow villagers and relatives, and the view from the researcher's office is what the official memory of the storyteller looks like today. This is a film about a person, about time and about the fundamental subjectivity and limitations of our view of them.
The film is dedicated to the memory of Marfa Semyonovna Kryukova, an exemplary author of "Soviet folklore" and a connoisseur of traditional folklore. The official image of 1930-1950 is replaced by the memories of fellow villagers and relatives, and the view from the researcher's office is what the official memory of the storyteller looks like today. This is a film about a person, about time and about the fundamental subjectivity and limitations of our view of them.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
A dreamlike conversation with the past and the present, reimagining Latasha Harlins' story by excavating intimate memories shared by those who loved her.
A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.
A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.
Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.
A documentary about the life and films of director John Ford.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
A detailing of the rise to prominence and global sporting superstardom of six supremely talented young Manchester United football players (David Beckham, Nicky Butt, Ryan Giggs, Paul Scholes, Phil and Gary Neville). The film covers the period 1992-1999, culminating in Manchester United's European Cup triumph.
Lyrical and powerfully personal essay film that reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse subjects as family memories, surveillance, and Buddhist teachings.