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Rivers of Darkness / Rivers of Light

"For Anne Kofke" "RIVERS, particularly, reveals many interesting qualities. There is a sensability in it that I am willing to trust to the end, no matter what weaknesses the film contains. The attitude, the feeling is right, and most of the images are right. Strong lyrical qualities. A beautiful merging of personal incongruities and irrelevancies. Good use of superimpositions. The only time the film fails (to me) is in its ovvasional frame freezes which look like infatuations in otherwise healthy lyrical footage.... I find Jon Voorhees a rare new talent and I am looking forward to more of his work" Jonas Mekas, Village Voice, March 1973

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Overview

"For Anne Kofke" "RIVERS, particularly, reveals many interesting qualities. There is a sensability in it that I am willing to trust to the end, no matter what weaknesses the film contains. The attitude, the feeling is right, and most of the images are right. Strong lyrical qualities. A beautiful merging of personal incongruities and irrelevancies. Good use of superimpositions. The only time the film fails (to me) is in its ovvasional frame freezes which look like infatuations in otherwise healthy lyrical footage.... I find Jon Voorhees a rare new talent and I am looking forward to more of his work" Jonas Mekas, Village Voice, March 1973

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NR / 10
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Nothing Personal

Alone in her empty flat, from her window Anne observes the people passing by who nervously snatch up the personal belongings and pieces of furniture she has put out on the pavement. Her final gesture of taking a ring off her finger signals she is leaving her previous life in Holland behind. She goes to Ireland, where she chooses to lead a solitary, wandering existence, striding through the austere landscapes of Connemara. During her travels, she discovers a house that is home to a hermit, Martin.

Nothing Personal

6.5 2009