16mm, bw, sound, 11m There are two soundtrack versions of this film, referred to as the “Barbara Bode track” and the “John Fernie track”. Both versions feature a performance of the same text (written by John Fernie), by Barbara Bode or John Fernie, respectively, with windmill sounds underneath the performer. The Fernie track is the later and apparently preferred track for this film.
16mm, bw, sound, 11m There are two soundtrack versions of this film, referred to as the “Barbara Bode track” and the “John Fernie track”. Both versions feature a performance of the same text (written by John Fernie), by Barbara Bode or John Fernie, respectively, with windmill sounds underneath the performer. The Fernie track is the later and apparently preferred track for this film.
Pull back the curtain on the remarkable history of six decades of James Bond music, from Sean Connery’s Dr No through to Daniel Craig’s final outing in No Time to Die.
Music is an integral part of most films, adding emotion and nuance while often remaining invisible to audiences. Matt Schrader shines a spotlight on the overlooked craft of film composing, gathering many of the art form’s most influential practitioners, from Hans Zimmer and Danny Elfman to Quincy Jones and Randy Newman, to uncover their creative process. Tracing key developments in the evolution of music in film, and exploring some of cinema’s most iconic soundtracks, 'Score' is an aural valentine for film lovers.
A night at the movies turns terrifying when Michael and his date are attacked by zombies. Released at the height of Thriller’s success, the short film redefined the music video, broke racial barriers, and became the first inducted into the U.S. National Film Registry.
His unforgettable scores are an essential part of some of the most beloved movies of our time, over a career that spans decades. See and hear maestro John Williams' own story, with insights from filmmakers, musicians, and others he has inspired, complete with rare behind-the-scenes looks at the making of movie history.
After the success of the live 1957 Cinderella on CBS (with Julie Andrews), the network decided to produce another television version. The new script hewed closer to the traditional tale, although nearly all of the original songs were retained and performed in their original settings. Added to the Rodgers and Hammerstein score was "Loneliness of Evening", which had been composed for South Pacific but not used.
After the destruction of the Twelve Colonies of Mankind, the last major fighter carrier leads a makeshift fugitive fleet in a desperate search for the legendary planet Earth.
Gene Kelly and Fred Astaire present more golden moments from the MGM film library, this time including comedy and drama as well as classic musical numbers.
A boy, no bigger than a thumb, manages to outwit two thieves determined to make a fortune from him.
Various MGM stars from yesterday present their favorite musical moments from the studio's 50 year history.
After rocker Kurt Cobain's death, ruled a suicide, a film crew arrives in Seattle to make a documentary. Director Nick Broomfield talks to lots of people. Portraits emerge: a shy, slight Kurt, weary of touring, embarrassed by fame, hooked on heroin; an out-going Courtney, dramatic, controlling, moving from groupie to star.