Revolted by the Thought of Known Places...Sweeney Astray
1992/1994. USA. Directed by Joan Jonas. Presented as a two-channel diptych: Berlin Wall (9:39 min.); Berlin Road (9:35 min.). 19 min.
1992/1994. USA. Directed by Joan Jonas. Presented as a two-channel diptych: Berlin Wall (9:39 min.); Berlin Road (9:35 min.). 19 min.
1992/1994. USA. Directed by Joan Jonas. Presented as a two-channel diptych: Berlin Wall (9:39 min.); Berlin Road (9:35 min.). 19 min.
A passionate holiday romance leads to an obsessive relationship when an Australian photojournalist wakes one morning in an abandoned Berlin apartment and is unable to leave.
A young woman left her family for an unspecified reason. The husband determines to find out the truth and starts following his wife. At first, he suspects that a man is involved. But gradually, he finds out more and more strange behaviors and bizarre incidents that indicate something more than a possessed love affair.
A British woman on a visit to post-war Berlin is caught up in an espionage ring smuggling secrets into and out of the Eastern Bloc.
Colonel Stok, a Soviet intelligence officer responsible for security at the Berlin Wall, appears to want to defect but the evidence is contradictory. Stok wants the British to handle his defection and asks for one of their agents, Harry Palmer, to smuggle him out of East Germany.
A darkness swirls at the center of a world-renowned dance company, one that will engulf the artistic director, an ambitious young dancer, and a grieving psychotherapist. Some will succumb to the nightmare. Others will finally wake up.
In post-war Europe, a diverse group of passengers aboard a U.S. Army train to bombed-out Frankfurt becomes involved in a Nazi assassination plot.
When a mysterious caller plants a bomb under his car seat, a bank executive begins a high-speed chase across the city to complete a specific series of tasks — all with his kids trapped in the back seat.
At the Wannsee Conference on January 20, 1942, senior Nazi officials meet to determine the manner in which the so-called "Final Solution to the Jewish Question" can be best implemented.
Berlin in June of 1940. While Nazi propaganda celebrates the regime’s victory over France, a kitchen-cum-living room in Prenzlauer Berg is filled with grief. Anna and Otto Quangel’s son has been killed at the front. This working class couple had long believed in the ‘Führer’ and followed him willingly, but now they realise that his promises are nothing but lies and deceit. They begin writing postcards as a form of resistance and in a bid to raise awareness: Stop the war machine! Kill Hitler! Putting their lives at risk, they distribute these cards in the entrances of tenement buildings and in stairwells. But the SS and the Gestapo are soon onto them, and even their neighbours pose a threat.
Tom Ripley - cool, urbane, wealthy, and murderous - lives in a villa in the Veneto with Luisa, his harpsichord-playing girlfriend. A former business associate from Berlin's underworld pays a call asking Ripley's help in killing a rival. Ripley - ever a student of human nature - initiates a game to turn a mild and innocent local picture framer into a hit man. The artisan, Jonathan Trevanny, who's dying of cancer, has a wife, young son, and little to leave them. If Ripley draws Jonathan into the game, can Ripley maintain control? Does it stop at one killing? What if Ripley develops a conscience?