Shot with direct sound, Villofolie presents six people giving a monologue in a destroyed and dehumanized city: Brussels. The film dissects itself to reflect on mental illness and the inability to communicate. The group of people portrayed share feelings of abnormality, anxiety and loneliness.
Shot with direct sound, Villofolie presents six people giving a monologue in a destroyed and dehumanized city: Brussels. The film dissects itself to reflect on mental illness and the inability to communicate. The group of people portrayed share feelings of abnormality, anxiety and loneliness.
The story centres on a group of teenagers street cast in their neighbourhood and selected to play in a feature film during the summer. The film tells the story of this film shoot and of the connections that will be formed during it.
Paris, summer 1960. Anthropologist and filmmaker Jean Rouch and sociologist and film critic Edgar Morin wander through the crowded streets asking passersby how they cope with life's misfortunes.
In a Paris hotel room, Jack Whitman lies on a bed. His phone rings; it's a woman on her way to see him, a surprise. She arrives and the complications of their relationship emerge in bits and pieces. Will they make love? Is their relationship over? (A prequel to The Darjeeling Limited, 2007.)
Based on the best-selling book, Remember the Time: Protecting Michael Jackson in His Final Days, and told through the eyes of Jackson's trusted bodyguards, Bill Whitfield and Javon Beard. The movie will reveal firsthand the devotion Michael Jackson had to his children, and the hidden drama that took place during the last two years of his life.
Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both literally and allegorically, together with an exploration of the meanings associated with the colour blue.
A lonely young widow lives with her son following an immutable order: while the boy is in school, she cares for their apartment, does chores, and receives clients in the afternoon.
Pierre, a professional dancer, suffers from a serious heart disease. While he is waiting for a transplant which may (or may not) save his life, he has nothing better to do than look at the people around him, from the balcony of his Paris apartment.
Will is looking for an escape from his family when he encounters Lee, the school bully. Armed with a video camera and a copy of Rambo, Lee plans to make his own action-packed video epic.
Candid interviews of ordinary people on the meaning of happiness, an often amorphous and inarticulable notion that evokes more basic and fundamentally egalitarian ideals of self-betterment, prosperity, tolerance, economic opportunity, and freedom.
Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.