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Coming Home

"Within a field of black, rows of colored pinpoint lights fly towards the screen and whiz past each side, evoking any number of scenarios: an airport's landing strip, streetlamps passing by on a nighttime drive, a science-fiction jaunt through hyperspace, or the hallucinations of a mushroom trip. These luminous atoms serve as the ultimate reduction of Fogel's artmaking: the creation of hypnotic realms of light, which seduce and enrapture viewers, leading them elsewhere, and within." —Ed Halter

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"Within a field of black, rows of colored pinpoint lights fly towards the screen and whiz past each side, evoking any number of scenarios: an airport's landing strip, streetlamps passing by on a nighttime drive, a science-fiction jaunt through hyperspace, or the hallucinations of a mushroom trip. These luminous atoms serve as the ultimate reduction of Fogel's artmaking: the creation of hypnotic realms of light, which seduce and enrapture viewers, leading them elsewhere, and within." —Ed Halter

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