Cannibal Island

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Director Claude Lanzmann spent 11 years on this sprawling documentary about the Holocaust, conducting his own interviews and refusing to use a single frame of archival footage. Dividing Holocaust witnesses into three categories – survivors, bystanders, and perpetrators – Lanzmann presents testimonies from survivors of the Chelmno concentration camp, an Auschwitz escapee, and witnesses of the Warsaw Ghetto Uprising, as well as a chilling report of gas chambers from an SS officer at Treblinka.

The history of cinematic sound, told by legendary sound designers and visionary filmmakers.

Produced and presented as evidence at the Nuremberg war crimes trial of Hermann Göring and twenty other Nazi leaders, this film consists primarily of dead and surviving prisoners and of facilities used to kill and torture during the World War II.

Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.

Thirty-six years after the Chernobyl nuclear reactor exploded in Soviet Ukraine, newly uncovered archival footage and recorded interviews with those who were present paint an emotional and gripping portrait of the extent and gravity of the disaster and the lengths to which the Soviet government went to cover up the incident, including the soldiers sent in to “liquidate” the damage. Chernobyl: The Lost Tapes is the full, unvarnished true story of what happened in one of the least understood tragedies of the twentieth century.

A subjective documentary that explores various theories about hidden meanings in Stanley Kubrick's classic film The Shining. Five very different points of view are illuminated through voice over, film clips, animation and dramatic reenactments.

When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".

On April 26, 1986, a 1,000 feet high flame rises into the sky of the Ukraine. The fourth reactor of the Chernobyl nuclear power plant just exploded. A battle begins in which 500,000 men are engaged throughout the Soviet Union to "liquidate" the radioactivity, build the "sarcophagus" of the damaged reactor and save the world from a second explosion that would have destroyed half of Europe. Become a reference film, this documentary combines testimonials and unseen footage, tells for the first time the Battle of Chernobyl.

Documentary filmmaker Errol Morris investigates the case of a man who became an authority on capital punishment, but was discredited when he got involved on the wrong side of a court case. Leuchter, a meek man whose appearance belies his grim expertise, develops what he says is a more effective electric chair. Before long he's in demand from officials who want his opinions on other kinds of execution. But when called to aid the case of an accused Holocaust denier, Leuchter's problems begin.