Mis en pièces means in French taking into pieces, but it could mean to set up a play, or to deconstruct a play. The film is about a theater play which is shot against the medium theater. This film is an attempt to destroy the representation of the perspectivist point of view. Disorganizing a process to see…
Mis en pièces means in French taking into pieces, but it could mean to set up a play, or to deconstruct a play. The film is about a theater play which is shot against the medium theater. This film is an attempt to destroy the representation of the perspectivist point of view. Disorganizing a process to see…
A Parisian tailor goes to a château to collect a bill, only to fall for an aloof young princess living there.
Michel takes up pickpocketing on a lark and is arrested soon after. His mother dies shortly after his release, and despite the objections of his only friend, Jacques, and his mother's neighbor Jeanne, Michel teams up with a couple of petty thieves in order to improve his craft. With a police inspector keeping an eye on him, Michel also tries to get a straight job, but the temptation to steal is hard to resist.
A thirteen-year-old French girl deals with moving to a new city and school in Paris, while at the same time her parents are getting a divorce.
Jamilah has her whole life figured out. She's the president of her black sorority, captain of their champion step dance crew, is student liaison to the college dean, and her next move is on to Harvard Law School. She's got it all, right? But when the hard-partying white girls from Sigma Beta Beta embarrass the school, Jamilah is ordered to come to the rescue. Her mission is to not only teach the rhythmically-challenged girls how to step dance, but to win the Steptacular, the most competitive of dance competitions. With the SBBs reputations and charter on the line, and Jamilah's dream of attending Harvard in jeopardy, these outcast screw-ups and their unlikely teacher stumble through one hilarious misstep after another. Cultures clash, romance blossoms, and sisterhood prevails as everyone steps out of their comfort zones.
A prisoner leads his counterparts in a protest for better living conditions which turns violent and ugly.
This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.
When Jeanne, a meticulous insurance assessor, is suddenly left to care for her estranged sister’s two children after their mother vanishes, her carefully ordered life begins to unravel. Confronted with unexpected responsibilities, she must balance the fragile task of earning the children’s trust while also tending to her own relationship with her girlfriend, who struggles to adjust to Jeanne’s new role. As grief, uncertainty, and shifting loyalties mount, Jeanne finds herself redefining what family and love truly mean.
Police Lt. Leonard Diamond vies to bring a clever, well connected, and sadistic gangster to justice all the while obsessing over the gangster's girlfriend.
Franck and Simon are both good cops. They work as partners. But their lives take a tailspin when Simon, driving drunk, causes a tragic car wreck. A few years later, out of the police, he is forced to take matters into his own hands when his family is in danger.
Marie has had a tough childhood ever since her mother Elisa committed suicide. She has spent most of her life in an orphanage and now makes a living as a small time criminal in Paris. Now she wants to unravel her past and find her father whom she blames for her mother's death.