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The Eternal Virgin

The understanding of domestic, cyclic time-space in Ozu Yasjirō’s cinema takes material form in Hara Setsuko, “The Eternal Virgin”, woman-actress-character-myth constantly alone in the frame, accomplice in an attack against the classical understanding of raccord.

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Overview

The understanding of domestic, cyclic time-space in Ozu Yasjirō’s cinema takes material form in Hara Setsuko, “The Eternal Virgin”, woman-actress-character-myth constantly alone in the frame, accomplice in an attack against the classical understanding of raccord.

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NR / 10
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