I Am a Machine

Stevie, fresh from prison in Scotland, finds a job on a London construction site. The working conditions are poor and most of the men are working under aliases, due to immigration status and to not conflict with their "signing on" for unemployment benefits. Some coworkers help Stevie secure housing, squatting in a council estate. Then Stevie meets Susan, from Ireland, who's struggling to be a professional singer.

Years after her son's suicide, a woman longs to confront both the past and a friend of his who took his business idea.

A Polish-Jewish family comes to the U.S. at the beginning of the twentieth century. There, the family and their children try to make themselves a better future in the so-called promised land.

Maya is a quick-witted young woman who comes over the Mexican border without papers and makes her way to the LA home of her older sister Rosa. Rosa gets Maya a job as a janitor: a non-union janitorial service has the contract, the foul-mouthed supervisor can fire workers on a whim, and the service-workers' union has assigned organizer Sam Shapiro to bring its "justice for janitors" campaign to the building. Sam finds Maya a willing listener, she's also attracted to him. Rosa resists, she has an ailing husband to consider. The workers try for public support; management intimidates workers to divide and conquer. Rosa and Maya as well as workers and management may be set to collide.

Recruited to assist Montreal police in their desperate search for a serial killer who assumes the identities of his victims, FBI profiler Illeana Scott knows it's only a matter of time before the killer strikes again. Her most promising lead is a museum employee who might be the killer's only eyewitness.

Canadian actress and filmmaker Sarah Polley investigates certain secrets related to her mother, interviewing a group of family members and friends whose reliability varies depending of their implication in the events, which are remembered in different ways; so a trail of questions remains to be answered, because memory is always changing and the discovery of truth often depends on who is telling the tale.

New York photographer Ronit flies to London after learning about the death of her estranged father. Ronit is returning to the same Orthodox Jewish community that shunned her decades earlier for her childhood attraction to Esti, a female friend. Their fortuitous and happy reunion soon reignites their burning passion as the two women explore the boundaries of faith and sexuality.

A young woman uses her body and her sexuality to help her climb the social ladder, but soon begins to wonder if her new status will ever bring her happiness.

Federal agent Alexandra Barnes believes that Catherine Petersen is a serial killer who marries rich men and then murders them for their money. But since Catherine is seemingly a master of disguise and has multiple identities, Alexandra can't prove anything with conventional detective work. With no other option, she goes undercover, pursuing the same man as Catherine, and hoping that Catherine will slip up and reveal her true identity.

A young woman is sent to Paradise Hills to be reformed, only to learn that the high-class facility's beautiful facade hides a sinister secret.