""This is gonna get lively.""
The story kicks off on Hartcliffe council estate in Bristol during the early 1980s. It follows Steven Knight, a working-class boy who has his motorbike stolen the day he buys it. Teaming up with his scoundrel friends he desperately tries to track it down before it's gone for good.
David Perkins
Steven Knight
Sally Phillips
Sharon Knight
Eugene Simon
Andrew Knight
Lee Armstrong
Ricky Picket
Alexander Lincoln
Wayne Pickett
Kitty Douglas
Liz
Jayde Adams
Miss Bourne
Paul Lavers
Martin
Gabriel Howell
Dennis
The story kicks off on Hartcliffe council estate in Bristol during the early 1980s. It follows Steven Knight, a working-class boy who has his motorbike stolen the day he buys it. Teaming up with his scoundrel friends he desperately tries to track it down before it's gone for good.
"Steven" (David Perkins) tries to help his mum get by, by working for a local butcher and then flogging a few illicitly caught trout to a local restaurant now and again. The dad (Neil Berrett) is pretty much a waste of space and his brother "Andrew" (Eugene Simon) is only just out on parole - adding to the headaches of their mother "Sharon" (a few, brief, appearances from Sally Phillips). "Steven" is quite a decent cove as it happens, and has saved up for his dream motorbike - well, it's more of a glorified moped, really. Anyway, he buys it, takes it for a hurl, leaves it outside his house and it's pinched. The police don't care, so he and his brother decide to track it down - easily done as it happens - and that puts in train a series of rather predictable, sometimes comically violent, daft escapades as the brothers tackle the local bullies, the local kingpin and make it clear that their family is not one to be messed with. It helps that it is set in Bristol - a more genteel environment for the cast on screen here. This would not have worked in a gritty, more working class city, but here you can overlook the "posh-boy" elements of the casting and just enjoy what is a quite well written and decently directed low-budget feature. The ending is a wee bit farcical, but there's familial chemistry to be seen here and the acting, though not likely to garner a BAFTA, makes for an engaging look at a family looking out for each other. No, you won't remember it afterwards - but it is worth a watch and you're bound to recall some of the music if you were around in the eighties.
Eric returns home for a short visit and finds himself caught between reuniting with his sisters and chasing a victory with his old poker group. As the trip extends, Eric finds it increasingly difficult to avoid confrontations and revelations as his carefully constructed façade of his adulthood gives way to old childhood conflicts.
Ensemble film revolving around characters living in Forest Gate, London. Over the course of a few days, six inter-linking stories explore issues of drug use, prostitution and urban poverty.
On the outskirts of Birmingham and the margins of society the Billingham family perform extreme rituals and break social taboos as they muddle through a life decided by factors beyond their control. At times shocking and laced with an unsettling humor, three episodes unfold as a powerful evocation of the experience of growing up in a Black Country council flat.
When a self-destructive teenager is suspended from school and asked to look after his feisty alcoholic grandmother as a punishment, the crazy time they spend together turns his life around.
Based on the true story of the notorious 1957 ‘mob summit’ in upstate New York. Spearheaded by Vito Genovese, more than 50 leaders of the organized crime syndicates from around the country converged on the sleepy town to discuss upcoming expansion plans. Their plans are foiled when local police trooper Ed Croswell discovers their activities and, consequently, exposes the mob to the American public. Croswell’s actions shed light on the massive web of corruption and changed the face of law enforcement forever.
A teenager living with her sister and parents in Manhattan during the 1990s discovers that her father is having an affair.
A dropout comes to the aid of a chubby and suicidal high-school kid by recruiting him as the drummer for his upstart punk-rock band.
An aspiring young filmmaker gets involved with an eccentric gangster for the financing of his first film.
Summer 1998 - the opening stages of Le Tour de France are relocated to Ireland. Belgian rider Dom Chabol (late 30s) has been one of the best “Domestiques” (support riders) on the Tour for the last 20 years. It’s a sacrificial role – setting pace, blocking wind, and providing support to enable the team’s sprinter to victory - winning is not an option. But Dom secretly harbours a desire to wear the yellow jersey - just once before his career is over. At the start of what will likely be his last Tour, Dom is unceremoniously dropped from the Team he has dedicated his life to. His best mate Sonny, the team masseur, fails to reassure him about his future. But a chance liaison with Lynn, a young Irish doctor, softens the blow, and Dom starts to accept - and even enjoy - the idea of civilian life. But as he gears up to go home and to face his estranged sister, a massive doping error knocks another teammate off the Tour and Dom is thrown back in the saddle…
Jeremy and Julian Lewis, the "Lewis Twins", are two unruly brothers who terrorise the city of Swansea from the caravan park where they live with their family. When their father, Fatty, is injured while working on a roof for local kingpin Bryn Cartwright, they try in vain to claim compensation. Thus begins a campaign of terror, which local policemen Terry and Grayo are ill-equipped to prevent, involved as they are in a drugs deal with Cartwright.