"SOMETIMES LIFE CAN BE KINDA FUNNY."
Ricky, a struggling stand-up comedian, sells drugs for a small-time criminal in order to pay off a debt. Without any family in his life, Ricky's only relationships are the man he is indebted to and the other local comedians. When Ricky gets an opportunity to write for a famous sketch comedy show, he struggles with the decision to leave his comfort zone in chase of his dreams, or remain where he is in life, despite his struggling situation.
Chris Williams
Ricky
Kourosh Parsapour
Pipo
Ricky, a struggling stand-up comedian, sells drugs for a small-time criminal in order to pay off a debt. Without any family in his life, Ricky's only relationships are the man he is indebted to and the other local comedians. When Ricky gets an opportunity to write for a famous sketch comedy show, he struggles with the decision to leave his comfort zone in chase of his dreams, or remain where he is in life, despite his struggling situation.
A raucous story of the interweaving lives and loves of small-town delinquents, shady cops, pretty good girls and very bad boys. With Irish guts and grit, lives collide, preconceptions shatter and romance is tested to the extreme. An ill-timed and poorly executed couple's break-up sets off a chain of events affecting everyone in town.
When a clumsy deadbeat accidentally kills his landlord, he must do everything in his power to hide the body, only to find that the distractions of lust, the death of his beloved brother, and a crew of misfit characters force him on a journey where a fortune awaits him.
Henry Manning has come up with a new way to break out of prison: fake a stroke and get transferred to a nursing home. It's a perfect plan, except for one thing: the woman assigned to take care of him at the nursing home, Carol Ann McKay, has a plan of her own.
An overlooked pencil-pusher catches her husband in bed with another woman, the shock of which causes him to die of a heart attack. So she buries his body and takes advantage of the growing celebrity status that comes from having a missing husband. But she quickly finds herself in over her head, dodging cops and criminals, all while trying to keep the truth from her sister, a local news anchor who’s desperate for a story.
Sixteen-year-old Dylan is dying of cancer. When a charitable organization offers to grant Dylan his final wish, the teen has a surprising request: to meet supermodel Nikki Sinclair. Much to his mother's dismay, Dylan, with the help of his best friends, goes to New York to fulfill his dream.
Two master thieves go at odds with one another as one sets the other up for a crime. The first, a suave pro who does his job and then hides in his own privacy, listening to old jazz records and caring for his ailing dog, Wally. The other is a local gangster with a taste for the finer life, who decides to eliminate the competition. This ignites a war between the two men and their aides. An angry mob boss and a female police officer try to sort the mess before things get too out of hand.
Jerry, a misfit Mafia henchman, is assigned the low-level job of keeping an eye on Gino, a shoe repairman fingered by the Mob to confess to a murder he didn't commit. But Gino's mistaken for a Mafia boss, and the two are suddenly catapulted to the highest levels of mobster status. Only friendship will see them through this dangerous adventure alive!
A middle-aged mobster reflects on his rise from bootlegger to success, crediting his longtime friend Joe for his good fortune—unaware that Joe has been betraying him all along, both in business and at home.
Collin must make it through his final three days of probation for a chance at a new beginning. He and his troublemaking childhood best friend, Miles, work as movers, and when Collin witnesses a police shooting, the two men’s friendship is tested as they grapple with identity and their changed realities in the rapidly-gentrifying neighborhood they grew up in.
Dysfunctional friends Dignan and Anthony plan and execute a robbery with their pot-growing friend, Bob. The short film that inspired Wes Anderson’s feature debut.