The Fourth Musketeer
"One for all, all for one."
At the behest of his father, young d'Artagnan travels from rural Gascony to Paris, where he becomes embroiled in a devious plot between the King's Musketeers and the Guardsmen of Cardinal Richelieu.
"One for all, all for one."
At the behest of his father, young d'Artagnan travels from rural Gascony to Paris, where he becomes embroiled in a devious plot between the King's Musketeers and the Guardsmen of Cardinal Richelieu.
Jonathan Hansler
Old d'Artagnan
Matt Ingram-Jones
Young d'Artagnan
Morgan Rees-Davies
Aramis
Ade Dimberline
Athos
Richard Ingle
Porthos
Mollie Hindle-Pérez
Milady
Melvyn Rawlinson
Treville
Nathan McGowran
Philippe
Sean Cronin
Rochefort
At the behest of his father, young d'Artagnan travels from rural Gascony to Paris, where he becomes embroiled in a devious plot between the King's Musketeers and the Guardsmen of Cardinal Richelieu.
Told by way of a rather denouement-wrecking retrospective, this is a particularly weak development of Alexandre Dumas' exciting "Three Musketeers" story. Jonathan Hansler (he is the "and" in the titles at the start of the film, so expectations for a feast of drama were already pretty low) is an elderly d'Artagnan regaling his tales of derring-do as a youngster to a would-be successor "Philippe" (Nathan McGowran). The arrival in Paris, his introduction to "Porthos", "Aramis" and "Athos" and their perilous rivalry with the guards of Cardinal Richelieu - represented here by his thoroughly un-menacing henchman "Rochefort" (Sean Cronin) and the equally un-intimidating "Milady" (Mollie Hindle) - is all faithful enough to the book, but boy is this a very wordy exercise. The sword play looks like it was choreographed in a sixth form college and I am afraid that handsome as he may be, Matt Ingram-Jones makes even Logan Lerman look good. To give it some dues, it's clearly been produced on a very modest budget, and those taking part do try quite hard; but I am afraid it has college drama project written all over it. This is a great story that should be up for reimagining now and again, but somehow this just won't be one that anyone - including, I dare say, those actually in it, will wish to recall to their grandchildren. Straight to video, as they used to say...
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