This is the only film directed by Yuko Ōtsuka. While it does have a narrative, it is essentially an image film built around the character and screen presence of its protagonist, Mr. Nojiri. Throughout the film, the beautiful Kodachrome location photography and carefully selected soundtrack come together to create a distinctive and evocative world of their own.
This is the only film directed by Yuko Ōtsuka. While it does have a narrative, it is essentially an image film built around the character and screen presence of its protagonist, Mr. Nojiri. Throughout the film, the beautiful Kodachrome location photography and carefully selected soundtrack come together to create a distinctive and evocative world of their own.
A young Japanese woman named Yoko finds her cautious and insular nature tested when she travels to Uzbekistan to shoot the latest episode of her travel variety show.
Depicts the life of a family in a remote Japanese timber village. Family head Tahara Kozo lives with his mother Sachiko, wife Yasuyo, nephew Eisuke and young daughter Michiru. Economic recession and failed development plans cause tragedy in the family.
After being used and betrayed by the detective she had fallen in love with, young Matsu is sent to a female prison full of sadistic guards and disobedient prisoners.
Tokyo schoolgirl Hiromi and her friends engage in a practice known as enjo kosai, or "compensated dating", where older men pay young girls for dates. Hiromi plunges deeper into this world to raise money for an expensive ring.
A spell of time in the life of the five-piece Haruno family in rural Tochigi Prefecture. Yoshiko is not an ordinary housewife, instead working on an animated film project. Uncle Ayano, a successful music producer, is looking to get his head together after living in Tokyo. Meanwhile, Sachiko is concerned with why she seems to be followed by a giant version of herself. As the lazy days pass by, each member of the family is followed in a series of episodic vignettes.
Kiyoha rises from the lowly courtesan ranks to the high class position of Oiran in the steamy red-light district of Yoshiwara. She is determined to stand on her own two feet and live life as she pleased.
Fleeing heartbreak in the big city, Ichiko returns to Komori, her rural hometown. She battles summer's rain and humidity, bakes her own bread, grows hothouse tomatoes and tills the fields. During autumn, the time for pickling and preserving fish and sweet potatoes, Ichiko begins reaping rice and recalls her departure five years before.
Lord Oda Nobunaga plans to control Japan where rival warlords battle by waging war against several clans. His vassal Araki Murashige stages a rebellion and promptly disappears.
Ichiko bakes a cake for an end-of-year party with her friends. In the depths of winter, making mochi and curry keeps the people of Komori warm. Later, spring brings thoughts of her absent mother as well as rice planting and sakura, and she begins to think of leaving Komori behind again.
Fight everyone and trust no one: it's the code of survival practiced by martial-arts master Casey Bowman after his life of domestic bliss is shattered by a savage act of violence. Vowing revenge, the fearless American stealthily tracks the killer from Osaka to Bangkok to Rangoon with the help of a wise and crafty sensei. His only clues: a series of victims whose necks bear the distinctive mark of strangulation by barbed wire. Fighting to avenge as well as to survive, Casey must sharpen his razor-like responses and take his battle skills to the next level, even using deep meditation to fake his own death. His target: the sinister drug lord Goro, who is flooding the streets with deadly meth cooked at his remote jungle factory. To prepare for his ultimate confrontation, Casey must finally become an invisible warrior worthy of the name Ninja. But just when his prey is cornered, an unexpected twist shows Casey that his battle is only beginning: he truly can trust no one.