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“I keep returning to Hi-8 videotape my father shot in the winter of 1995/6, that until a month ago, I did not know even existed. The tape had been lying dormant in a box with the camera he had bought. ‘Today is the 25th December 1995.’ I am looking at the house we grew up in; it is covered with snow. My father has walked part way up the hill; he continually comments on the scene but the tape has degraded so it’s difficult to catch exactly what he says - every time I view the footage I glean a different meaning. I have been a servant to the video. It called out to me to mend it, but I also wanted to destroy it; it has been re-captured digitally, held within different codes, the signals have reconvened, allowing a different picture to emerge, an-other home movie.” Alia Syed

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Overview

“I keep returning to Hi-8 videotape my father shot in the winter of 1995/6, that until a month ago, I did not know even existed. The tape had been lying dormant in a box with the camera he had bought. ‘Today is the 25th December 1995.’ I am looking at the house we grew up in; it is covered with snow. My father has walked part way up the hill; he continually comments on the scene but the tape has degraded so it’s difficult to catch exactly what he says - every time I view the footage I glean a different meaning. I have been a servant to the video. It called out to me to mend it, but I also wanted to destroy it; it has been re-captured digitally, held within different codes, the signals have reconvened, allowing a different picture to emerge, an-other home movie.” Alia Syed

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