Oh! I Can't Stand It

Based on the factual case of a young man who broke into a nurses' home in Chicago, mutilating and killing several of the inmates, Wakamatsu's film is a precise, sad delineation of a particular aspect of masculine sexual consciousness.

Go, Go, Second Time Virgin is the story of two damned and abused teenagers who meet and fall in mutant love on a Tokyo rooftop. Their only hope is to cement their love with an escape into oblivion.

Misaki Amemiya is an assistant inspector for the Metropolitan Police Department's Community Safety Bureau who becomes ensnared in a trap while investigating a mysterious illegal video website called "Babylon". Soon, she's bound and tortured along with Shizuko and an oversexed housewife named Ruri.

A submissive hooker goes about her trade, suffering abuse at the hands of Japanese salarymen and Yakuza types. She's unhappy about her work, and is apparently trying to find some sort of appeasement for the fact that her lover has married.

An American journalist travels through 19th-century Japan to find the prostitute he fell in love with but instead learns of the physical and existential horror that befell her after he left.

Kyôko, a traumatized young Japanese girl, finds herself struggling with her self-confidence in her adult life. Growing up in a family without her mother and her sister, she constantly questions the rationale of sex and the notion of liberty in modern Japanese society.

A 21-year-old girl is released from prison, only to deal with the neighborhood gossip about her and family conflicts. She decides to save one million yen, move to where no one knows her and keep repeating the process.

This sequel to Flowers in the Attic picks up 10 years after Cathy, Chris and Carrie managed to escape Foxworth Hall.

A fourth-grader investigates the mysterious reason behind the sudden appearance of penguins in his village, which is somehow related to a power from a young woman working at a dental clinic.

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.