Soc... Backdrop Blur
Soc... Poster
NR 0h 20m

Soc...

At the end of the 1980s, high school students watch fragments of a congress of the Union of Polish Artists and Designers that took place in 1949. During the congress, socialist realism and pictures representing the imposed aesthetics were proclaimed. Viewers will learn about the attitude of young people to the communist system and the art of those times.

Top Cast

Overview

At the end of the 1980s, high school students watch fragments of a congress of the Union of Polish Artists and Designers that took place in 1949. During the congress, socialist realism and pictures representing the imposed aesthetics were proclaimed. Viewers will learn about the attitude of young people to the communist system and the art of those times.

Rating

NR / 10
0 Reviews
0 Popular

Recommendations

Night Will Fall

When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".

Night Will Fall

7.6 2014
Visions of Light

Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.

Visions of Light

7.0 1992