Top Cast
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Issei Futamata
Yusaku Godai
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Sumi Shimamoto
Kyoko Otonashi
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Mina Tominaga
Kozue Nanao
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Shigeru Chiba
Yotsuya
Overview
A full-length movie recap of the Maison Ikkoku series that focuses on the relationship between Godai and Kyoko. The entire special is taken from footage of the TV series.
Rating
Recommendations
It all began quite suddenly. Akihito, who appears human but is actually half yomu with the power to quickly heal himself, sees a freshman girl who appears ready to jump from the school rooftop. The girl, Mirai, who has the ability to manipulate blood, which is unique even among members of the spirit world, continues to fight her isolation. Akihito decides at that moment to save Mirai, but disturbing events soon begin to unfold.
Beyond the Boundary: I'll Be Here – Past
The battle is over, and they can go about their normal lives now... or so they thought. With no time to rejoice after miraculously saving Mirai from Beyond the Boundary, Mirai lost all her memories. Akihito, now a high school senior, starts to avoid Mirai thinking it’s for the better. Not aware of Akihito’s feelings, Mirai tries to get closer to Akihito. Then, someone who knows of Mirai appears in front of the two. With Akihito’s troubles in vain, Mirai once again sets forth on a battle that forces her to look within.
Beyond the Boundary: I'll Be Here – Future
After Nami steals the Going Merry, Roronoa Zoro, Usopp, and later Monkey D. Luffy and Sanji (along with Johnny and Yosaku) set after her and wind up in Cocoyasi Village, Nami's hometown ruled by the tyrannical fishman Arlong. It is here that Nami's past and true motives come to light.
One Piece Episode of Nami: Tears of a Navigator and the Bonds of Friends
Chie Takemoto is a dependable girl who struggles to help her troublesome father run a small tavern in Osaka. Unbeknown to her dad, she occasionally visits her mother who left him not too long ago. She plans on trying to reunite them, but not until her father gets a job.
Chie the Brat
On a test-run of the Mini Merry, Usopp tells Brook the story of the Going Merry, a ship that served the crew well. However, to the Straw Hats, the Going Merry was not just a ship: It was a priceless, irreplaceable friend. *Scenes have been recreated with brand-new animation.
One Piece Episode of Merry: The Tale of One More Friend
A highly experimental film presenting a story out of chronological order taking place 15 years after a near-apocalyptic catastrophe, about four traumatized 14 year olds who are tasked with piloting massive humanoid decisive weapons called Evangelion, the psychologically maladjusted adults who handle and command them, and the events and forces that affect them or which they take part in as they engage massive hostile invaders known as "Angels."
EVANGELION: DEATH (TRUE)²
Ryo Saeba works the streets of Tokyo as the City Hunter. He's a "sweeper" and with his sidekick Kaori Makimura, he keeps the city clean. People hire the City Hunter to solve their dangerous problems, which he does with a Colt Python. When Ryo's not working on a case, he's working on getting the ladies, and Kaori must keep him in check with her trusty 10 kg hammer.
City Hunter: Shinjuku Private Eyes
Finally, the day of Mai's high school graduation has arrived. While Sakuta eagerly waits for his girlfriend, an elementary schooler who looks exactly like her appears before him. Suspicious, and for all the wrong reasons... Meanwhile, Sakuta and Kaede's father suddenly calls, saying that their mother wants to see her daughter. She was hospitalized because Kaede's condition had been too much for her to bear, so what could she possibly want now?
Rascal Does Not Dream of a Knapsack Kid
The killer class is back in session—sort of. Relive every moment through the eyes of the top two students: Nagisa and Karma!
Assassination Classroom the Movie: 365 Days' Time
The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.