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United States
NR 1h 41m

Cruising (Back to Front)

"In 1998, twenty years after production began on William Friedkin’s 1980 notorious, gay leather underground crime thriller, Cruising, I reversed it scene by scene. The 'from behind' approach was suggested by the logic of the film itself. The narrative dissonance of the original film is amplified in Back to Front, the antinomy of law and desire patent. Moving in reverse, cause cruises outcome, with often queer effects. For instance, straight intercourse isn’t an anodyne for gay sex, but a push towards it, and hetero-normativity longs for sexual lawlessness. The act that haunts the redo is the one that incites it: Karen Allen donning Pacino’s S&M leather gear and lurking, 'dragging', up behind him on the soundtrack. Upshot: Feminized desire, non-localizable, not-all, betrays the underlying, real, phobia in Friedkin's quasi-horror film 'How would you like to disappear?'" — Robert Buck

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Overview

"In 1998, twenty years after production began on William Friedkin’s 1980 notorious, gay leather underground crime thriller, Cruising, I reversed it scene by scene. The 'from behind' approach was suggested by the logic of the film itself. The narrative dissonance of the original film is amplified in Back to Front, the antinomy of law and desire patent. Moving in reverse, cause cruises outcome, with often queer effects. For instance, straight intercourse isn’t an anodyne for gay sex, but a push towards it, and hetero-normativity longs for sexual lawlessness. The act that haunts the redo is the one that incites it: Karen Allen donning Pacino’s S&M leather gear and lurking, 'dragging', up behind him on the soundtrack. Upshot: Feminized desire, non-localizable, not-all, betrays the underlying, real, phobia in Friedkin's quasi-horror film 'How would you like to disappear?'" — Robert Buck

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