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Earth, Light, Air

An artistic study of natural materials and a child’s face, which Pilař transforms into abstract objects by transferring them into a negative and changing the colour scheme. Despite the date given in the film (1982), it is probably one of his experiments on the Betamax format, realised around 1984 in his summer studio at his cottage in Jarkovice.

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Overview

An artistic study of natural materials and a child’s face, which Pilař transforms into abstract objects by transferring them into a negative and changing the colour scheme. Despite the date given in the film (1982), it is probably one of his experiments on the Betamax format, realised around 1984 in his summer studio at his cottage in Jarkovice.

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