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What does freedom mean? And in some cases, could it be better to be locked up, with a roof over your head and food to eat, even if you have to work for it? Dejan Petrović poses these questions indirectly in his distinctively framed impressions of an overcrowded dog shelter in Serbia, where the dogs are kept behind wire mesh in dismal pens.

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What does freedom mean? And in some cases, could it be better to be locked up, with a roof over your head and food to eat, even if you have to work for it? Dejan Petrović poses these questions indirectly in his distinctively framed impressions of an overcrowded dog shelter in Serbia, where the dogs are kept behind wire mesh in dismal pens.

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Night Will Fall

When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".

Night Will Fall

7.6 2014