The End

A young filmmaker in 1960s Paris juggles directing a cheesy sci-fi debacle, directing his own personal art film, coping with his crumbling relationship with his girlfriend, and a new-found infatuation with the sci-fi film's starlet.

1985. Vincent, almost 13, lives in the suburbs of Paris in a middle-class family, between a distant older brother and parents in constant conflict. Although he is no longer a child and not yet an adult, the film follows his reflections and doubts about identity, friendship, family, and his questions about religion, desire, and love.

A teenager living with her sister and parents in Manhattan during the 1990s discovers that her father is having an affair.

Improbable encounters bring tenderness, laughter and compassion to a world of urban alienation.

Hugo is 19 years old. Like every summer, he spends his holidays on an Atlantic island, in the small family house. But this year is different: Hugo has undergone a physical transformation and arrives with his girlfriend, Queen, a beautician whose lively chatter and long, glittery nails contrast sharply with the young man’s modesty and shyness. Before long, the couple becomes the focus of everyone’s attention.

On the eve of World War II four Parisians cope with the impending invasion of their city by German forces. While the French government braces for impact, the intersected lives of a young writer, a vain movie star, a French politician and a young scientist are examined as they attempt to deal with war and evade German spies.

A dropout comes to the aid of a chubby and suicidal high-school kid by recruiting him as the drummer for his upstart punk-rock band.

Five old friends decide to move in together as an alternative to living in a retirement home. Joining them is an ethnology student whose thesis is on the aging population.

When a group of old college friends reunite over a long weekend after one of them attempts suicide, old crushes and resentments shine light on their life decisions, and ultimately push friendships and relationships to the brink.

Bailey and Darla embark upon a misguided and mutually deceitful form of therapy, one in which they must drive across the country, re-enacting Darla's colorful history as a sex addict. As their true motivations for the road trip come to light, the unlikely pair force one another to confront their issues, discovering that there might actually be more to love than just sex.