In transit between urban and rural areas, between “underemployment” and informality in the capital of São Paulo, and “boias-frias” in sugarcane plantations in the interior of the state, the film encounters different layers of subalternization of the contemporary working class.
In transit between urban and rural areas, between “underemployment” and informality in the capital of São Paulo, and “boias-frias” in sugarcane plantations in the interior of the state, the film encounters different layers of subalternization of the contemporary working class.
Nina is an elderly woman who lives alone and feels distressed by the increasing violence in her neighborhood. Amidst conflicts with her neighbors, she decides to film the movement of drug traffickers from her window, hoping to assist the police. After months of recording suspicious activities, her initiative attracts the attention of a journalist, who approaches Nina and offers to support her in her mission.
In order to take a new job as an employee in the public sanitation department, Juliana moves from the inner city of Itaúna to the metropolitan town of Contagem in Brazil. While waiting for her husband to join her, she adapts to her new life, meeting people and discovering new horizons, trying to overcome her past.
On a scorching summer day in Rio de Janeiro, five impoverished black boys venture out of their favela to peddle peanuts throughout the bustling city. As they navigate the various districts of Rio, they bear witness to a series of unfortunate events and encounters, unfolding a vivid tapestry of urban life in Rio de Janeiro during that period. These true misadventures shed light on the gritty reality of the city, unveiling its vibrant urban tapestry.
During the seventies, the massive arrival of television in the Brazilian countryside puts in jeopardy the business of running small movie theaters. Francisgleydisson is the owner of Cine Holliudy, and he must be extremely creative to keep his passion for cinema alive.
In the poverty-stricken favelas of Rio de Janeiro in the 1970s, two young men choose different paths. Rocket is a budding photographer who documents the increasing drug-related violence of his neighborhood, while José “Zé” Pequeno is an ambitious drug dealer diving into a dangerous life of crime.
At the age of nine, Rebeca is sold by her grandmother to the bookseller who ran Rocinha. Disputed by bicheiros and drug dealers, the community is going through changes in power. Rebeca becomes the wife of the chief drug dealer and, with the death of her partner, his successor. The electrifying trajectory of crime, violence, drugs and love of a female drug kingpin in Rocinha, Rio de Janeiro in the 1980s.
An ordinary man frustrated with the various flaws he sees in society begins to psychotically and violently lash out against them.
"Boxcar" Bertha Thompson, a transient woman in Arkansas during the violence-filled Depression of the early '30s, meets up with rabble-rousing union man "Big" Bill Shelly and the two team up to fight the corrupt railroad establishment.
In 1997, before the visit of the pope to Rio de Janeiro, Captain Nascimento from BOPE (Special Police Operations Battalion) is assigned to eliminate the risks of the drug dealers in a dangerous slum nearby where the pope intends to be lodged.
A rancher, his clairvoyant wife and their family face turbulent years in South America.