Both Very Old
A short portrait of an elderly married couple and their rural farmstead. The film begins with a narrative framework: a meeting of a group of men who, as we may assume, are scriptwriters talking about the shape of the following takes.
A short portrait of an elderly married couple and their rural farmstead. The film begins with a narrative framework: a meeting of a group of men who, as we may assume, are scriptwriters talking about the shape of the following takes.
A short portrait of an elderly married couple and their rural farmstead. The film begins with a narrative framework: a meeting of a group of men who, as we may assume, are scriptwriters talking about the shape of the following takes.
Craig, a fiercely determined New Brunswick farmer, sets out to build a more suitable house for his ailing wife, Irene, despite their children's concerns. As he starts building, he is blindsided by the bureaucratic codes and officials. As Irene becomes increasingly ill, Craig fights back. Based on a true story.
An uptight documentary filmmaker and his wife find their lives loosened up a bit after befriending a free-spirited younger couple.
Fanny Price is sent to live with her wealthy relatives, the Bertrams, where she is treated poorly by most except her cousin Edmund. Her life is complicated by the arrival of the worldly Mary and Henry Crawford.
Neil is torn between two loves: Marina, the European woman who comes to the United States to be with him, and Jane, the old flame from his hometown he reconnects with. Neil’s doubts about his life and loves are reflected in the crisis of faith experienced by Father Quintana, who only sees pain and the loss of hope in the world.
World War II veteran Bob MacDonald surprises his new wife, Betty, by quitting his city job and moving them to a dilapidated farm in the country. While Betty gamely struggles with managing the crumbling house and holding off nosy neighbors and a recalcitrant pig, Bob makes plans for crops and livestock. The couple's bliss is shaken by a visit from a beautiful farm owner, who seems to want more from Bob than just managing her property.
Photographer Robert Kincaid wanders into the life of housewife Francesca Johnson for four days in the 1960s.
London, 1956. Genius actor and film director Laurence Olivier is about to begin the shooting of his upcoming movie, premiered in 1957 as The Prince and the Showgirl, starring Marilyn Monroe. Young Colin Clark, who dreams on having a career in movie business, manages to get a job on the set as third assistant director.
In an effort to repair their relationship, a couple books a vacation in the countryside for themselves and their daughter. What starts as a perfect retreat begins to fall apart as one loses their grip on reality, and a sinister force tries to tear them apart.
A logger leads a life of quiet grace as he experiences love and loss during an era of monumental change in early 20th-century America.
After inheriting a remote Montana house, Jackson moves there from New York with his partner Grace, and the couple soon welcome a child. As Jackson becomes increasingly absent and rural isolation sets in, Grace struggles with loneliness, creative frustration, and unresolved emotional wounds. What begins as an attempt at renewal gradually turns into an intense psychological descent, placing strain on their relationship and exposing the fragile balance between love, identity, and motherhood.