The Invisible Trap
The Invisible Trap, directed by Fariborz Saleh, is a lesser-known film that was produced in the final year of the second Pahlavi government at the behest of the SAVAK.
The Invisible Trap, directed by Fariborz Saleh, is a lesser-known film that was produced in the final year of the second Pahlavi government at the behest of the SAVAK.
The Invisible Trap, directed by Fariborz Saleh, is a lesser-known film that was produced in the final year of the second Pahlavi government at the behest of the SAVAK.
The Invisible Trap, directed by Fariborz Saleh, is a lesser-known film that was produced in the final year of the second Pahlavi government at the behest of the SAVAK. Following the Islamic revolution and the subsequent sociopolitical transformations in society, the film was buried in the Iranian film archive. With the recent unearthing of the film, the history of Iranian cinema has uncovered one of the earliest cinematic productions made by a security agency, which can be considered a pioneering example of surveillance cinema in Iran. Dam-e Namari narrates the story of the identification and surveillance of Ahmad Mogharebi, a Major General of the Imperial Iranian Army, who was a highly influential spy for the Soviet Union's security organization, known as the KGB.
This fiction-documentary hybrid uses a sensational real-life event—the arrest of a young man on charges that he fraudulently impersonated the well-known filmmaker Mohsen Makhmalbaf—as the basis for a stunning, multilayered investigation into movies, identity, artistic creation, and existence, in which the real people from the case play themselves.
Renowned Iranian director Jafar Panahi received a 6-year prison sentence and a 20-year ban from filmmaking and conducting interviews with foreign press due to his open support for the opposition party in Iran's 2009 election. In this film, which was shot secretly by Panahi's close friend Mojtaba Mirtahmasb and smuggled into France on a USB stick concealed inside a cake for a last-minute submission to Cannes, Panahi documents his daily life under house arrest as he awaits a decision on his appeal.
Iranian director Jafar Panahi, who has been barred from leaving the country, arrives at a village on the Iran-Turkey border to supervise a film based on a real-life couple seeking passports to Europe being shot in Turkey, but both his stay and the production run into trouble.
After the earthquake of Guilan, a film director and his son travel to the devastated area to search for the actors from the movie the director made there a few years previously. In their search, they see how people who have lost everything in the earthquake still have hope and try to live life to the fullest.
Irreverent city engineer Behzad comes to a rural Kurdish village in Iran to keep vigil for a dying relative. In the meanwhile the film follows his efforts to fit in with the local community and how he changes his own attitudes as a result.
A nobleman vows to avenge the death of his father by the hands of pirates. To this end, he infiltrates the pirate band; Acting in character, he single-handedly captures a merchant vessel, but things are complicated when he finds that there is a beautiful young woman of royal blood aboard.
In revolutionary Iran, as fundamentalists tighten their grip on society, a professor secretly gathers seven of her most dedicated female students to read and discuss forbidden classics of Western literature, including Lolita and Pride and Prejudice. Based on the bestselling memoir by Azar Nafisi. A film by Eran Riklis starring Golshifteh Farahani (Paterson), Zar Amir (Holy Spider), and Mina Kavani (No Bears).
In the Iranian ghost-town Bad City, a place that reeks of death and loneliness, the townspeople are unaware they are being stalked by a lonesome vampire.
The lives of three strong-willed women and a young musician cross paths in Tehran’s schizophrenic society where sex, adultery, corruption, prostitution and drugs coexist with strict religious law. In this bustling modern metropolis, avoiding prohibition has become an everyday sport and breaking taboos can be a means of personal emancipation.
A young British widow shelters an old medical school colleague, a man who has somehow turned himself invisible. As his isolation grows and his sanity frays, he schemes to create a reign of wanton murder and terror across the city.