Just another year documents how a mother and a daughter celebrated Norooz at home, not very differently from the previous years. As they aren’t surrounded by an Iranian community, some of the rituals such as jumping over fire have been adapted to living in a flat. The film looks at the small but important domestic gestures that constitute the setting of the Haft-Sin table, embracing this poetical approach to life which is performed again every spring.
Just another year documents how a mother and a daughter celebrated Norooz at home, not very differently from the previous years. As they aren’t surrounded by an Iranian community, some of the rituals such as jumping over fire have been adapted to living in a flat. The film looks at the small but important domestic gestures that constitute the setting of the Haft-Sin table, embracing this poetical approach to life which is performed again every spring.
A fading celebrity decides to use a black market drug, a cell-replicating substance that temporarily creates a younger, better version of herself.
A poor, struggling South Carolinian mother and daughter face painful choices with their resolve and pride. Bone, the eldest daughter, and Anney her tired mother, grow both closer and farther apart: Anney sees Glen as her last chance.
In the wake of a school tragedy, Vada, Mia and Quinton form a unique and dynamic bond as they navigate the never linear, often confusing journey to heal in a world that feels forever changed.
A troubled young woman becomes obsessed with her mysterious new neighbor, who bears a striking resemblance to the girl's dead mother.
Fourteen-year-old Mo is a lonely, sensitive boy whose hunger for the rant and banter of buddies makes him prone to tread dangerous territories. He idolizes his handsome older brother, Rashid, a charismatic, well-respected member of a local gang, whose drug dealing enables “Rash” to provide for his family. Aching to be seen as a tough guy himself, Mo takes a job that unlocks a fateful turn of events and forces the brothers to confront their inner demons. It turns out that hate is easy. It is love and understanding that take real courage.
Summer heats up in rural Louisiana beside Eve’s Bayou, 1962, as the Batiste family tries to survive the secrets they’ve kept and the betrayals they’ve endured.
Feeling awkward and isolated, an imaginative and strong-willed teenage girl runs away from home with an older punk rock drifter.
A middle-aged Tehranian man, Mr. Badii is intent on killing himself and seeks someone to bury him after his demise. Driving around the city, the seemingly well-to-do Badii meets with numerous people, including a Muslim student, asking them to take on the job, but initially he has little luck. Eventually, Badii finds a man who is up for the task because he needs the money, but his new associate soon tries to talk him out of committing suicide.
When their father passes away, four grown, world-weary siblings return to their childhood home and are requested -- with an admonition -- to stay there together for a week, along with their free-speaking mother and a collection of spouses, exes and might-have-beens. As the brothers and sisters re-examine their shared history and the status of each tattered relationship among those who know and love them best, they reconnect in hysterically funny and emotionally significant ways.
One year after their royal wedding, King Edvard and Queen Paige of Denmark receive an invitation to attend the wedding of Princess Myra of Sangyoon. Upon their arrival, Paige finds Myra is unhappy with her arranged marriage to the brooding and sinister Kah and is secretly in love with a young elephant handler named Alu.