Lens Hand Foot is part of the Light Occupations series, in which Gill Eatherley performs simple investigations of the filmic equipment, particularly the camera and the projector, in short films that are each three minutes in length – corresponding to the length of a 100-foot roll of film. In films like this one, she explores the relationship of her own body to the filmmaking apparatus, playfully attempting to overcome the unbridgeable distance between them.
Lens Hand Foot is part of the Light Occupations series, in which Gill Eatherley performs simple investigations of the filmic equipment, particularly the camera and the projector, in short films that are each three minutes in length – corresponding to the length of a 100-foot roll of film. In films like this one, she explores the relationship of her own body to the filmmaking apparatus, playfully attempting to overcome the unbridgeable distance between them.
A student gets his senses enhanced by an experimental drug. But abuse is not an option.
Constructed from over 500 hours of never-before-seen footage, this documentary centers on the personal life and career of the controversial football player Diego Maradona who played for SSC Napoli and Argentina in the 1980s.
A look behind the lens of Christopher Nolan's space epic.
Captives of the very relationships that define and sustain them, nine women resiliently meet the travails and disappointments of life.
Fanny Price is sent to live with her wealthy relatives, the Bertrams, where she is treated poorly by most except her cousin Edmund. Her life is complicated by the arrival of the worldly Mary and Henry Crawford.
As the home planet of the Green Lantern Corps faces a battle with an ancient enemy, Hal Jordan prepares new recruit Arisia for the coming conflict by relating stories of the first Green Lantern and several of Hal's comrades.
The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.
A poor, struggling South Carolinian mother and daughter face painful choices with their resolve and pride. Bone, the eldest daughter, and Anney her tired mother, grow both closer and farther apart: Anney sees Glen as her last chance.
In a suburban landscape, the lives of several families interlace with loss, despair and personal crisis. Esther Gold has lost focus on all but caring for her comatose son, Paul, and neglects her daughter and husband. Lawyer Jim Train is devoted to his career, not his family. Helen Christianson wants to find a new spark in life, while Annette Jennings tries to rebuild hers.
Five train passengers are joined by a mysterious fortuneteller who offers to read Tarot. A quintet of stories unfold: an architect returns to his ancestral home to find a vengeful werewolf; a doctor suspects his new wife is a vampire; an intelligent vine takes over a house; a jazz musician plagiarises music from a voodoo ceremony; and a pompous art critic is pursued by a disembodied hand.