A desert village perched on a mountain of Aspromonte. A young farmer teaches the craft to a laborer from Senegal. The next day the farmer will have to emigrate to the North in search of work and leave his mother and his homeland. Against the backdrop of evocative landscapes, filtered by the look of a master of our cinema, there are the fates of immigrants and emigrants.
Tommaso Critelli
Donato
Djibril Kébé
Djibril
Margherita Smedile
Madre di Donato
Gladys Egwoh
Moglie di Djibril
Ashley Egwoh
Figlia di Djibril
A desert village perched on a mountain of Aspromonte. A young farmer teaches the craft to a laborer from Senegal. The next day the farmer will have to emigrate to the North in search of work and leave his mother and his homeland. Against the backdrop of evocative landscapes, filtered by the look of a master of our cinema, there are the fates of immigrants and emigrants.
Based on the writer/director's childhood, FARMING tells the story of a young Nigerian boy, 'farmed out' by his parents to a white British family in the hope of a better future. Instead, he becomes the feared leader of a white skinhead gang.
Carlo and Elisa are a successful couple. He’s a university professor and writer facing a creative block; she’s a brilliant, sharp-witted journalist, known for her internationally published editorials. They live in Rome, moving between accomplishments and routine, affection and something that might be fading. In search of new energy, they travel to Morocco with their lifelong friends, Anna and Paolo, and their thirteen-year-old daughter Vittoria—bright, curious, a little eccentric. Tensions soon rise.
Margherita, a director in the middle of an existential crisis, has to deal with the inevitable and still unacceptable loss of her mother.
A middle-aged man, Pietro, becomes a widower and must take care of his daughter. He will never have the time to delve into his own pain, committing himself to raising his daughter with love and dedication, in an all-encompassing relationship in which one heals the other's wounds through his own. When, after a few years, he tries to start a new life with a new partner, not everything will go as hoped: his daughter's reaction will be exaggerated and Pietro will be put to the test. He will find himself struggling between anger and paternal instinct.
Adriano is a middle-aged man living in a dilapidated villa in Tuscany, when a group of young idealistic students arrives to restore the villa's vineyards.
In the fascist Italy of 1935, a painter trained as a doctor is exiled to a remote region near Eboli. Over time, he learns to appreciate the beauty and wisdom of the peasants, and to overcome his isolation.
After winning the Nobel Prize, Giovanni Passamonte decides to drive to Stockholm with his sons and assistant rather than fly.
A Sicilian family deals with the arrival of a group of immigrants on their island.
"Loro", in two parts, is a period movie that chronicles, as a fiction story, events likely happened in Italy (or even made up) between 2006 and 2010. "Loro" wants to suggest in portraits and glimps, through a composite constellation of characters, a moment in history, now definitively ended, which can be described in a very summary picture of the events as amoral, decadent but extraordinarily alive. Additionally, "Loro" wishes to tell the story of some Italians, fresh and ancient people at the same time: souls from a modern imaginary Purgatory who, moved by heterogeneous intents like ambition, admiration, affection, curiosity, personal interests, establish to try and orbit around the walking Paradise that is the man named Silvio Berlusconi.
At the end of the 1950s in Africo, a small village in the southern valley of Aspromonte, a woman dies in childbirth because a doctor fails to arrive on time. No road connects Africo with the other villages. In the wake of this tragedy, all of Africo’s citizens -including children - abandon their usual occupations and unite to build their own road. Giulia, the new schoolteacher, comes from the North with a mission to teach standard Italian to help bring cultural cohesion with Africo and the rest of Italy. But she will have to contend with the local mafioso Don Totó, who is determined to ensure this the town remains cut off, and thus, under his power.