Invisible Touch
Tosuke is a home tutor who meets a girl named Miyako on the job. She is blind and doesn't move or speak. But is Tosuke seeing the real Miyako?
Tosuke is a home tutor who meets a girl named Miyako on the job. She is blind and doesn't move or speak. But is Tosuke seeing the real Miyako?
Tosuke is a home tutor who meets a girl named Miyako on the job. She is blind and doesn't move or speak. But is Tosuke seeing the real Miyako?
Everyone's favorite TV superhero Action Mask shows up in Kasukabe, and he's trying to get something from Shin-chan -- but what could it be?
Sewashi and Doraemon find themselves way back in time and meet Nobita. It is up to Doraemon to take care of Nobita or else he will not return to the present.
Nobita travels to the future to show his beloved grandma his bride, but adult Nobita has fled his own wedding.
It is 300 years into the future. Earth's environment had been devastated by mankind's own foolish plans and humankind is beleaguered by the sentient forests which they have awoken. The world balance is tipped when a young boy named Agito stumbles across a machine that glowed in a strange blue hue inside a forbidden sanctuary.
As the perpetually lecherous Ataru and his friends prepare for a carnival at Tomobiki High School, they gradually realize the days are literally repeating themselves. Any effort to break the pattern dumps them back where they started.
Something sinister's afoot in Kasukabe. Shin-chan doesn't know what it is, but he's pretty sure it involves samba-dancing doppelgängers.
High school students Miho and Shouta are preparing for college entrance examinations. Miho comes from an island without even one cram school, while Shouta lives in Tokyo and works a part-time job. Both are striving to pass exams so they can enter college. The pair enroll in Z-Kai's correspondence education courses, and their lives cross before they realize it.
As Nobita, Gian, Shizuka, and Suneo are making their own space movie, a fleeing bug-sized alien president makes his way to Earth, and needs the help of the kids and Doraemon to stop an oppressive dictatorship threatening his democracy.
The Straw Hats visits an island, known as Mecha Island, where a fisherman sings an old folk song about a Golden Crown. Searching for that mysterious treasure, they find a hidden entrance into the island. The island's leader, Ratchet, impressed with the find and in search of the Golden Crown himself, invites the crew to join him in his search and the crew along with Ratchet and his henchmen enter the cave. As it turns out, the islands true form, is that of a giant turtle. Ratchet, who had known this all along, uses his mechanical castle to take control of the turtle, in order to use it, to take over the world. Now the Straw Hats have to stop not only Ratchet, but also the helpless turtle, from crashing into a nearby island.
The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.