"The story of an outcast and a killer!"
In the winter of 1938, Paris is crowded with refugees from the Nazis, who live in the black shadows of night, trying to evade deportation. One such is Dr. Ravic, who practices medicine illegally and stalks his old Nazi enemy Haake with murder in mind. One rainy night, Ravic meets Joan Madou, a kept woman cast adrift by her lover's sudden death. Against Ravic's better judgment, they become involved in a doomed affair.
Ingrid Bergman
Joan Madou
Charles Boyer
Dr. Ravic
Charles Laughton
Ivon Haake
Louis Calhern
Boris Morosov
Ruth Warrick
Kate Bergstroem
Roman Bohnen
Dr. Veber
J. Edward Bromberg
Verdun Hotel Manager
Ruth Nelson
Madame Fessier
Stephen Bekassy
Alex
In the winter of 1938, Paris is crowded with refugees from the Nazis, who live in the black shadows of night, trying to evade deportation. One such is Dr. Ravic, who practices medicine illegally and stalks his old Nazi enemy Haake with murder in mind. One rainy night, Ravic meets Joan Madou, a kept woman cast adrift by her lover's sudden death. Against Ravic's better judgment, they become involved in a doomed affair.
Despite featuring one of my favourite actors - Charles Laughton ("Haake"), Ingrid Bergman manages to drag this wartime drama down to an almost soporific pace as her character "Joan" is rescued from almost certain suicide by compassionate Czech doctor "Ravic" (Charles Boyer). Both are refugees fleeing the rise of the Nazis in Eastern Europe. She has what can only be described as a bit of a chequered past and the two now embark on what I felt to be rather a disjoined romance that didn't really convince me. When he is apprehended by the police - without papers, she takes up with a wealthy person and the intrigue rather loses it's way. Laughton is better as the brutal Nazi sophisticate upon whom "Ravic" intends revenge - but he features quite sparingly as the narrative ploddingly meanders towards a rather predictable conclusion. It must be said, though, that this is a really good looking film. Lewis Milestone and cinematographer Russell Metty really do create a seamy and gritty pre-war Paris - especially as their new occupiers move in, and life becomes extremely perilous for these two escapees. At times it is compelling and exciting, but for the most part it just burbles along providing little more than a vehicle for two stars who didn't really gel and for a third we don't see enough of.
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