"Torn from the pages of America's most reckless era-THE UNFORGETTABLE GOLD RUSH DAYS!"
Boston pharmacist Tom Craig comes to Sacramento, where he runs afoul of local political boss Britt Dawson, who exacts protection payment from the citizenry. Dawson frames Craig with poisoned medicine, but Craig redeems himself during a Gold Rush epidemic.
John Wayne
Tom Craig
Binnie Barnes
Lacey Miller
Albert Dekker
Britt Dawson
Helen Parrish
Ellen Sanford
Patsy Kelly
Helga
Edgar Kennedy
Kegs McKeever
Dick Purcell
Joe Dawson
Harry Shannon
Mr. Carlin
Charles Halton
Mr. Hayes
Boston pharmacist Tom Craig comes to Sacramento, where he runs afoul of local political boss Britt Dawson, who exacts protection payment from the citizenry. Dawson frames Craig with poisoned medicine, but Craig redeems himself during a Gold Rush epidemic.
Sweet singing coyotes. Tall and elegant pharmacist Tom Craig comes to Sacramento to open up his own drug store. On route he incurs the wrath of bully boy Britt Dawson, who doesn't take kindly to his Bostonian manners, however Dawson's girl Lacey Miller does, and along with newly acquired friend Kegs McKeever, Tom has the foundation to see his plans thru to fruition, but Dawson and his loose cannon younger brother are determined to get in the way. This is one of those films that the John Wayne haters should seek out when they use the argument that he always played the same characters. Here he is far from macho, for sure he will be forced to branch out and defend what's right, but his Tom Craig here is gentile and full of grace, very much a gentleman thank you very much. Plot wise we are treated to standard fare, good guys and bad guys just don't get on, and you just know that some pretty dames are going to have a say in proceedings. Yet this piece really has much more going for it, it's sense of fun, courtesy mainly of Edgar Kennedy and Patsy Kelly's blossoming relationship, the advancement of drugs to cure the sick and it's back drop of the Sacremento gold rush, all of it comes together to totally satisfy come the final credits. 7.5/10
After a bit of an altercation on the steamboat, “Craig” (John Wayne) arrives in the burgeoning town of Sacramento to set up his pharmacy. He’s no quack, but can’t find premises. Luckily, the lady who was the source of an earlier drenching steps up and agrees to rent him a shop next to her bar. “Lacey” (Binnie Barnes) sees opportunities galore in this broad-shouldered young man but those are not shared by her beau, the town’s self-appointed boss “Britt” (Albert Dekker). What now ensues follows a predicable pattern as it builds to its conclusion, but along the way there is some decent chemistry between a charismatic Wayne and Barnes and plenty of mischief. It’s tightly cast with a few familiar faces to pep up the story as the shenanigans take shape and as our visitor demonstrates just how effective bending a nickel between your fingers can be at conflict management. The production is all very routine but some effort has gone into the look of the film and the writing even manages a little spirit now and again too. Perhaps there are one too many songs, but I still quite enjoyed this lively gold-rush pioneering adventure.
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When a Midwest town learns that a corrupt railroad baron has captured the deeds to their homesteads without their knowledge, a group of young ranchers join forces to take back what is rightfully theirs. They will become the object of the biggest manhunt in the history of the Old West and, as their fame grows, so will the legend of their leader, a young outlaw by the name of Jesse James.
American tourist Frank meets mysterious British woman Elise on the train to Venice. Romance seems to bud, but there's more to her than meets the eye.
Three teenage farm boys stumble upon Harry Spikes, a local bandit wounded in a gun battle. While Harry is recuperating, he regales the young men with stories of his exciting past. The adventurous tales inspire them to start a gang of their own. Failing at their first attempt to rob a bank, the boys convince the gruff Spikes to teach them the ways of the desperado.