The Culpepper Cattle Co.
Working as an assistant on a long cattle drive, the young Ben Mockridge contends between his dream of being a cowboy and the harsh truth of the Old West.
Working as an assistant on a long cattle drive, the young Ben Mockridge contends between his dream of being a cowboy and the harsh truth of the Old West.
Gary Grimes
Ben Mockridge
Billy Green Bush
Frank Culpepper
Luke Askew
Luke
Bo Hopkins
Dixie Brick
Geoffrey Lewis
Russ
Wayne Sutherlin
Missoula
John McLiam
Thorton Pierce
Matt Clark
Pete
Raymond Guth
Cook
Working as an assistant on a long cattle drive, the young Ben Mockridge contends between his dream of being a cowboy and the harsh truth of the Old West.
When Little Mary Became A Man. The Culpepper Cattle Co. is a splinter of the Western genre that was tagged as revisionist. Often the makers of such Oaters went for a more grizzled look at the West, even demythologising the Hollywood Westerns that had proved so popular for decades. Directed by Dick Richards, The Culpepper Cattle Co. is one such picture. Young Ben Mockridge (Gary Grimes) wants to be a cowboy, to work on the drives and hone his gun play skills. When trail drive boss Frank Culpepper (Billy Green Bush) is in town, Ben begs him for work and is thrilled to be hired as the cook's Little Mary. What he isn't so thrilled about is actually what it's really like out there on a drive... And so it comes to pass, young Ben is at the bottom of the cowboy ladder and Richards and his writing team ensure there is no glamour to be found. The drive is beset with thievery and rustling, killings, stampedes, inner fighting and very hard work for very little pay. The men on the trail all look the same, they dress the same, they smell the same, they are all worked hard and understand the same weary banter. What camaraderie there is is kept to a minimum, they are a team in a working sense, but their loyalty only comes to the fore when they are tasked with fighting and killing' enemies. The bars are not all bright and sparkly, with a well suited man playing a piano, no these are dingy holes with dirty glasses. No bordello babes either, just a hapless lassie loaned out for services by a barkeep who has in his own mind some tenuous right to have her in his keep. This is purposely downbeat, with the photography by Lawrence Edward Williams and Ralph Woolsey emphasising this fact by stripping back the colours for authenticity. While Jerry Goldsmith and Ralph Woolsey's musical score is deftly restrained, perfectly so. The story moves to its final conclusion, a confrontation that excites and depresses equally so, for even in the whirl of bullets and thundering hooves, the realisation dawns on Ben, and us, that nothing changes the life of the cowboys out there on the drives. It's live, work and die. Cowboyin is something you do when you can't do nothing else - Indeed! 9/10
Monte Walsh is an aging cowboy facing the ending days of the Wild West era. As barbed wire and railways steadily eliminate the need for the cowboy, Monte and his friends are left with fewer and fewer options. New work opportunities are available to them, but the freedom of the open prarie is what they long for. Eventually, they all must say goodbye to the lives they knew, and try to make a new start.
Two friends hired to police a small town that is suffering under the rule of a rancher find their job complicated by the arrival of a young widow.
Rich momma's boy Wade Kingsley Jr. an Eastern dude, tries to follow in his murdered father's footsteps by returning to the West to partner up with Slim Moseley Jr.,the son of his father's former partner. Wade overcomes Slim's initial reluctance to accept him by using his fortune to buy a prize cow and new car to help Slim in his job as foreman on the Kingsley family ranch, currently under siege by a gang of outlaws called "masked raiders." Wade generously tries to pay off the ranch's mortgage with $15,000 of his own money, but unfortunately neither "pardner" realizes that respected banker Dan Hollis, the son of their fathers' murderer, is the leader of the gang.
A group of young gunmen, led by Billy the Kid, become deputies to avenge the murder of the rancher who became their benefactor. But when Billy takes their authority too far, they become the hunted.
A band of Mexicans find their U. S. land claims denied and all the records destroyed in a courthouse fire. Their leader, Louis Chama, encourages them to use force to regain their land. A wealthy landowner wanting the same decides to hire a gang of killers with Joe Kidd to track Chama.
Gunning for revenge, outlaw Nat Love saddles up with his gang to take down enemy Rufus Buck, a ruthless crime boss who just got sprung from prison.
In 1864, during the American Civil War, Mexican cattleman Alvarez Kelly supplies the Union with cattle until unexpected circumstances force him to change his customers.
As a cowardly farmer begins to fall for the mysterious new woman in town, he must put his new-found courage to the test when her husband, a notorious gun-slinger, announces his arrival.
Retired wealthy sea captain Jim McKay arrives in the Old West, where he becomes embroiled in a feud between his future father-in-law, Major Terrill, and the rough and lawless Hannasseys over a valuable patch of land.
When vigilante land baron David Braxton hangs one of the best friends of cattle rustler Tom Logan, Logan's gang decides to get even by purchasing a small farm next to Braxton's ranch. From there the rustlers begin stealing horses, using the farm as a front for their operation. Determined to stop the thefts at any cost, Braxton retains the services of eccentric sharpshooter Robert E. Lee Clayton, who begins ruthlessly taking down Logan's gang.