Siege is a 1940 documentary short about the Siege of Warsaw by the Wehrmacht at the start of World War II. It was shot by Julien Bryan, a Pennsylvanian photographer and cameraman who later established the International Film Foundation. Siege was nominated for an Oscar for Best One-reel Short at the 13th Academy Awards in 1941, and in 2006, it was named to the National Film Registry by the Librarian of Congress as "a unique, horrifying record of the dreadful brutality of war."
Julien Bryan
Self
Siege is a 1940 documentary short about the Siege of Warsaw by the Wehrmacht at the start of World War II. It was shot by Julien Bryan, a Pennsylvanian photographer and cameraman who later established the International Film Foundation. Siege was nominated for an Oscar for Best One-reel Short at the 13th Academy Awards in 1941, and in 2006, it was named to the National Film Registry by the Librarian of Congress as "a unique, horrifying record of the dreadful brutality of war."
Photo-journalist Julien Bryan narrates his own short feature as he spends a few days in a Warsaw that is under siege from the approaching Nazi war machine. It is almost three weeks since the city started being indiscriminately bombed leaving it’s buildings, hospitals and churches in ruins whilst it’s population risk random strafing from enemy aircraft as they try to gather potatoes from fields on the outskirts of what is left of their homes. Some of the images are frankly quite harrowing, especially towards the conclusion of this film and the sight of a young lad, with all he possesses in a makeshift sack, sitting next to the corpse of his recently mown down mother is a poignant and impactful image amongst many that we see here. It packs quite a punch in just ten minutes.
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
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