Cosmopolis
"How far can he go before he goes too far?"
Riding across Manhattan in a stretch limo during a riot in order to get a haircut, a self-made 28-year-old billionaire asset manager's life begins to crumble.
"How far can he go before he goes too far?"
Riding across Manhattan in a stretch limo during a riot in order to get a haircut, a self-made 28-year-old billionaire asset manager's life begins to crumble.
Robert Pattinson
Eric Packer
Juliette Binoche
Didi Fancher
Sarah Gadon
Elise Shifrin
Mathieu Amalric
André Petrescu
Jay Baruchel
Shiner
Kevin Durand
Torval
K'naan
Brutha Fez
Emily Hampshire
Jane Melman
Samantha Morton
Vija Kinsky
Riding across Manhattan in a stretch limo during a riot in order to get a haircut, a self-made 28-year-old billionaire asset manager's life begins to crumble.
I really enjoyed this Cronenberg film. Though my favourite films of his are the incredible ones he did in my teens, during the 80's ('Videodrome', 'The Dead Zone' and 'The Fly' are nothing short of outstanding, and works that no one else could have come up with), he's really been thinking outside of the box for the past decade (even for a consistently interesting creature such as he), and it's only been recently, with both Sarah Polley and Denis Villeneuve emerging as vital directors, that his ranking as the greatest Canadian director ever has even had suitable competition for comparison. I remembered when this came out, and I believe a critic from 'The Globe and Mail' interviewed Cronenberg at its opening at Cannes, and he was almost apologetic about using Pattinson. It sounded like he didn't want to have to direct him. He made the excuse that he couldn't get funding for his projects from North America anymore, which is a dirty rotten shame, and had to go to Europe and Asia any time he wanted to make a film in order to have it bankrolled, and the Japanese insisted on star power to put moviegoers in the seats, and said there'd only be financial backing if Cronenberg directed Pattinson. This was my first experience watching the actor's work, and he did a fine job, no problem. The supporting cast was strong, with many of my favourite character actors of late, such as Paul Giamatti and Jay Baruchel. The script, co-written by Cronenberg, was a strong statement about just how out of touch the very rich are with the other 99% of us. I docked my mark by 1/10 because I was pissed off that Cronenberg degraded one of the finest actresses of our lifetime, Juliette Binoche here. I can't even talk about it. It was as difficult for me to tolerate as Spike Lee having Christopher Plummer call Jodie Foster something awful in the otherwise excellent 'Inside Man'. Lee's off my Christmas card list for sure this year, but Cronenberg being a fellow Canadian (I bet you thought I was going to say white, hahaha), I'll be less angry. But he better look over his shoulder if he tries something like THAT again. I was THAT close to crossing HIM off my Christmas card list too... I also remember from the time the film came out, an article and rating on the film (I think it was 'The Globe and Mail' as well, and by the same critic who had earlier interviewed him), saying that when he watched it, he watched a few teenage girls leaving the theatre (most probably because Pattinson was in it), saying it was the worst movie they had ever seen. That's the only evidence you need that this is a fine movie, well worth your time.
Suffering from insomnia, disturbed loner Travis Bickle takes a job as a New York City cabbie, haunting the streets nightly, growing increasingly detached from reality as he dreams of cleaning up the filthy city.
Cab driver Max picks up a man who offers him $600 to drive him around. But the promise of easy money sours when Max realizes his fare is an assassin.
Bill, an idle, unemployed aspiring writer, walks the crowded streets of London following randomly chosen strangers, a seemingly innocent entertainment that becomes dangerous when he crosses paths with a mysterious character.
A tale of murder, crime and punishment set in the summer of 1949. Ed Crane, a barber in a small California town, is dissatisfied with his life, but his wife Doris' infidelity and a mysterious opportunity presents him with a chance to change it.
John Gotti, the head of a small New York mafia crew breaks a few of the old family rules. He rises to become the head of the Gambino family and the most well-known mafia boss in America. Life is good, but suspicion creeps in, and greed, rule-breaking and his high public profile all threaten to topple him.
A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.
Driver is a skilled Hollywood stuntman who moonlights as a getaway driver for criminals. Though he projects an icy exterior, lately he's been warming up to a pretty neighbor named Irene and her young son, Benicio. When Irene's husband gets out of jail, he enlists Driver's help in a million-dollar heist. The job goes horribly wrong, and Driver must risk his life to protect Irene and Benicio from the vengeful masterminds behind the robbery.
Nick Hume is a mild-mannered executive with a perfect life, until one gruesome night he witnesses something that changes him forever. Transformed by grief, Hume eventually comes to the disturbing conclusion that no length is too great when protecting his family.
Londoner Harry Fabian is a second-rate con man looking for an angle. After years of putting up with Harry's schemes, his girlfriend, Mary, becomes fed up when he taps her for yet another loan.
Joe Buck is a wide-eyed hustler from Texas hoping to score big with wealthy New York City women; he finds a companion in Enrico "Ratso" Rizzo, an ailing swindler with a bum leg and a quixotic fantasy of escaping to Florida.