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Woman Trap

"A tense jolting thrilling Paramount all talking picture"

The younger brother of a police captain is a wanted fugitive, so when the captain railroads his brother's former criminal partner, the partner's sister devises a plan to get back at the captain where it will hurt the most.

Top Cast

  • Hal Skelly

    Hal Skelly

    Dan Malone

  • Chester Morris

    Chester Morris

    Ray Malone

  • Evelyn Brent

    Evelyn Brent

    Kitty Evans

  • William B. Davidson

    William B. Davidson

    Watts

  • Effie Ellsler

    Effie Ellsler

    Mrs. Malone

  • Guy Oliver

    Guy Oliver

    Mr. Evans

  • Leslie Fenton

    Leslie Fenton

    Eddie Evans

  • Charles Giblyn

    Charles Giblyn

    Smith

  • Joseph L. Mankiewicz

    Joseph L. Mankiewicz

    Reporter (as Joseph Mankiewicz)

Overview

The younger brother of a police captain is a wanted fugitive, so when the captain railroads his brother's former criminal partner, the partner's sister devises a plan to get back at the captain where it will hurt the most.

Rating

5.3 / 10
7 Reviews
0 Popular

1 Reviews

  • CinemaSerf
    CinemaSerf
    6 Jun 6, 2022

    William Wellman is clearly still trying to push this fairly new "talkie" style of movie as far as he can with the limited budget and opportunities the script offers him with this B-thriller. To a certain extent, he succeeds in presenting us with quite a tightly paced triple header with Hal Skelly as the tough, community cop "Dan Malone" who is on the trail of his miscreant brother "Ray" (Chester Morris) after some shenanigans at the home of his ex-girlfriend "Kitty" (Evelyn Brent) really sets the cat amongst the pigeons. This focusses "Dan" to become a pretty unforgiving law enforcement officer and though that is not without it's promotions, it also serves to alienate folks some too. It's also an early example of quite effective pyrotechnics and has plenty of shoot 'em up action scenes to keep the thing moving along quickly. The dialogue leaves loads to be desired, and I've got to say that the overly ditzy Brent added little to the smouldering dynamic between the opposing siblings. There is a decent amount of suspense before the ending that though unimaginative, just about works. Skelly cut his teeth on the stage, and at times his performance here reminds us of that - he is not a natural in from of the camera (indeed you can almost see a weariness in his eyes suggesting that many takes may have been required?) , but Morris is - and although maybe his role could have been a bit meatier, he contributes amiably and well to a film that is worth an hour of your time.

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