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Knight Without Armour

"The woman of flame -- the man of steel -- together !"

In the last days of Czarist Russia, Russian-speaking Briton A.J. Fothergill is enlisted by his government to go undercover as Bolshevik radical Peter Ouranoff in an attempt to gain access to the revolutionaries' inner circle. Tasked with accompanying lovely aristocrat Alexandra Vladinoff from Moscow to Petrograd to be tried for crimes against the proletariat, Peter attempts to spirit her out of the war-torn country.

Top Cast

  • Marlene Dietrich

    Marlene Dietrich

    Countess Alexandra Vladinoff

  • Robert Donat

    Robert Donat

    Ainsley J. Fothergill / Peter Ouronov

  • Irene Vanbrugh

    Irene Vanbrugh

    Duchess of Zorin

  • Herbert Lomas

    Herbert Lomas

    General Gregor Vladinoff

  • Austin Trevor

    Austin Trevor

    Col. Adraxine

  • Basil Gill

    Basil Gill

    Axelstein

  • David Tree

    David Tree

    Alexis Maronin

  • John Clements

    John Clements

    Poushkoff

  • Frederick Culley

    Frederick Culley

    Stanfield

Overview

In the last days of Czarist Russia, Russian-speaking Briton A.J. Fothergill is enlisted by his government to go undercover as Bolshevik radical Peter Ouranoff in an attempt to gain access to the revolutionaries' inner circle. Tasked with accompanying lovely aristocrat Alexandra Vladinoff from Moscow to Petrograd to be tried for crimes against the proletariat, Peter attempts to spirit her out of the war-torn country.

Rating

5.9 / 10
19 Reviews
1 Popular

1 Reviews

  • CinemaSerf
    CinemaSerf
    7 Jun 20, 2022

    Now you've got to keep an eye on the plot in this little espionage/counter espionage thriller as Robert Donat is a Brit sent to spy on the Bolsheviks and gets caught up in all sorts of shenanigans that lands him in Siberia until 1917 when, amidst all the chaos he alights upon the beautiful "Countess" (Marlene Dietrich) and both have to try and get the hell out of a rapidly imploding Russia. The two stars gel quite well, once they start sharing scenes together and although the story follows a pretty well trodden path, the two , together with a few familiar faces from British cinema (John Clements, Irene Vanbrugh and a rather good, drunken, Miles Malleson) manage to keep this slightly over-long escape story going. Harry Stradling's photography re-creates well the coldness of the Russian climate (from Buckinghamshire!) and the eeriness and devastation of a messy, brutal revolution and Lajos Biró's adaptation of the novel keeps pretty much to the plot.

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