Seduction: The Cruel Woman
"A ticket to a masochistic wonderland"
Wanda, a dominatrix who runs an S&M gallery on the Hamburg waterfront, must choose between her lesbian lover and an American trainee.
"A ticket to a masochistic wonderland"
Wanda, a dominatrix who runs an S&M gallery on the Hamburg waterfront, must choose between her lesbian lover and an American trainee.
Udo Kier
Gregor
Mechthild Großmann
Wanda
Carola Regnier
Caren
Sheila McLaughlin
Justine
Georgette Dee
Friederike
Barbara Ossenkopp
Leila
Peter Weibel
Mr. Mährsch
Judith Flex
Judith
Daniela Ziegler
Mother
Wanda, a dominatrix who runs an S&M gallery on the Hamburg waterfront, must choose between her lesbian lover and an American trainee.
Prim professor Immanuel Rath finds some of his students ogling racy photos of cabaret performer Lola Lola and visits a local club, The Blue Angel, in an attempt to catch them there. Seeing Lola perform, the teacher is filled with lust, eventually resigning his position at the school to marry the young woman. However, his marriage to a coquette -- whose job is to entice men -- proves to be more difficult than Rath imagined.
In a small Northern German town, a dishonourably discharged Afghanistan veteran is offered a job as a deliveryman by an alcoholic Turkish entrepreneur, through which the former meets the latter's gorgeous wife.
It's 1989 in East Berlin: Suzie is kicked out of school shortly before she graduates from high school and has to defend herself as a worker in the cable factory. However, a randomly taken photo leads her to the fashion world of the GDR. The editor-in-chief Elsa Wilbrodt put her on the cover of Sibylle, the fashion magazine of the GDR. In the Berlin underground scene she made the acquaintance of the gay fashion designer Rudi and the photographer Coyote. Suzie must decide if she's brave enough to leave the old strands behind forever.
Fox, a former circus performer, wins the lottery of DM 500,000 and can now have the life and things that he has always wanted. He enters an abusive relationship with wealthy industrialist Eugen in an attempt to climb the social ladder. His desperation for love and affection soon spirals into tragedy.
Evangelist Carlton Pearson is ostracized by his church for preaching that there is no Hell.
Davey Gordon, a New York City boxer at the end of his career, falls for dancer Gloria Price. However, their budding relationship is interrupted by Gloria's violent boss, Vincent Rapallo, who has eyes for Gloria. The two decide to skip town, but before they can, Vincent and his thugs abduct Gloria, and Davey is forced to search for her among the most squalid corners of the city, with his enemy hiding in the shadows.
When Ruth's husband dies in New York, in 2000, she imposes strict Jewish mourning, which puzzles her children. A stranger comes to the house - Ruth's cousin - with a picture of Ruth, age 8, in Berlin, with a woman the cousin says helped Ruth escape. Hannah, Ruth's daughter engaged to a gentile, goes to Berlin to find the woman, Lena Fisher, now 90. Posing as a journalist investigating intermarriage, Hannah interviews Lena who tells the story of a week in 1943 when the Jewish husbands of Aryan women were detained in a building on Rosenstrasse. The women gather daily for word of their husbands. The film goes back and forth to tell Ruth and Lena's story. How will it affect Hannah?
Painting is an unacceptable vocation for a woman in provincial Germany in the year 1900, but budding artist Paula Becker is determined to make her own rules.
A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach. After the initial eliminations, seventeen hopefuls remain, among them Cassie, who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he's willing to let professionalism overcome his personal feelings about their past remains to be seen.
In a small North German village a drama played out during and shortly after the Second World War about duty versus individual conscience and morality.