The son of a French-speaking father and an English-speaking mother, Earl Tremblay is in the throes of an identity crisis. In an attempt to resolve it, he examines his past, his present and even his future through the lens of a camera. While screening the 19 rolls of film he's shot, he comments on his social ascent and unwittingly reveals his dual personality. Known by its working title, Double Face, Yes Sir! Madame... is the result of work carried out over several years.
Robert Morin
Earl Tremblay
The son of a French-speaking father and an English-speaking mother, Earl Tremblay is in the throes of an identity crisis. In an attempt to resolve it, he examines his past, his present and even his future through the lens of a camera. While screening the 19 rolls of film he's shot, he comments on his social ascent and unwittingly reveals his dual personality. Known by its working title, Double Face, Yes Sir! Madame... is the result of work carried out over several years.
Improbable encounters bring tenderness, laughter and compassion to a world of urban alienation.
1985. Vincent, almost 13, lives in the suburbs of Paris in a middle-class family, between a distant older brother and parents in constant conflict. Although he is no longer a child and not yet an adult, the film follows his reflections and doubts about identity, friendship, family, and his questions about religion, desire, and love.
Eric returns home for a short visit and finds himself caught between reuniting with his sisters and chasing a victory with his old poker group. As the trip extends, Eric finds it increasingly difficult to avoid confrontations and revelations as his carefully constructed façade of his adulthood gives way to old childhood conflicts.
A young filmmaker in 1960s Paris juggles directing a cheesy sci-fi debacle, directing his own personal art film, coping with his crumbling relationship with his girlfriend, and a new-found infatuation with the sci-fi film's starlet.
Elijah must balance his dream of becoming a master sommelier with his father's expectations that he carry on the family's Memphis BBQ joint.
The film tells futurist, architect, and inventor R. Buckminster Fuller's incredible story through two teens hoping to get laid, become punk gods, and survive high school.
From the Atlantic to the Black Sea, Mathias and Philippe, two old friends, embark on a bicycle journey that Mathias’s son made before his tragic death. The two men ride through the ordeals with tenderness, humor and emotion.
Summer 1998 - the opening stages of Le Tour de France are relocated to Ireland. Belgian rider Dom Chabol (late 30s) has been one of the best “Domestiques” (support riders) on the Tour for the last 20 years. It’s a sacrificial role – setting pace, blocking wind, and providing support to enable the team’s sprinter to victory - winning is not an option. But Dom secretly harbours a desire to wear the yellow jersey - just once before his career is over. At the start of what will likely be his last Tour, Dom is unceremoniously dropped from the Team he has dedicated his life to. His best mate Sonny, the team masseur, fails to reassure him about his future. But a chance liaison with Lynn, a young Irish doctor, softens the blow, and Dom starts to accept - and even enjoy - the idea of civilian life. But as he gears up to go home and to face his estranged sister, a massive doping error knocks another teammate off the Tour and Dom is thrown back in the saddle…
Wael, a former street child, makes a living from small scams with his adoptive mother and partner-in-crime Monique. When this unconventional duo swindles the wrong guy, Victor, an old acquaintance of Monique now in charge of a support organization for troubled teens, they have no choice but to become his interim secretary and educator in order to redeem themselves.
A brother and sister con-artist duo find themselves scamming a grieving billionaire by convincing him they can introduce him to God, face-to-face.