"The true savage story of BILLY THE KID!"
Billy the Kid becomes embroiled in Lincoln County, NM, land wars. When rancher who gave him a break is killed by rival henchman, Billy vows revenge. New employer takes advantage of his naivety to kill rivals, lets the Kid take rap. Kid takes to the hills with friends until caught. Escapes hanging but remains in area to be near employer's young wife with whom he's infatuated
Audie Murphy
Billy the Kid
Gale Storm
Irene Kain
Albert Dekker
Alexander Kain
Shepperd Strudwick
Jameson
Will Geer
O'Fallon
William Talman
Minninger
Martín Garralaga
Morales
Robert Barrat
General Wallace
Walter Sande
Crowe
Billy the Kid becomes embroiled in Lincoln County, NM, land wars. When rancher who gave him a break is killed by rival henchman, Billy vows revenge. New employer takes advantage of his naivety to kill rivals, lets the Kid take rap. Kid takes to the hills with friends until caught. Escapes hanging but remains in area to be near employer's young wife with whom he's infatuated
El Chivato The Kid from Texas (AKA: Texas Kid, Outlaw) is directed by Kurt Neumann and written by Robert Hardy Andrews and Karl Kamb. It stars Audie Murphy, Gale Storm, Albert Dekker, Shepperd Strudwick and Will Geer. Music is by Milton Schwarzwald and cinematography by Charles Van Enger. 11th July 1879, Lincoln County, and a young man born of the name William Henry McCarty Junior is about to write his name into the annals of infamy... "I'll get every man who had a hand in this killing if it's the last thing I do" It's a "B" feature in production terms and it's a hodge-podge of historical facts, but in the trajectory of Western movies it's a rather important piece. It also happens to be great entertainment for the Western fan. It would be the film to launch Audie Murphy on the road to Western iconography, whilst simultaneously becoming a valid early addition for cinematic representations of the Billy the Kid legend. Historically the core basis of the film is accurate, though the chronology is all over the place. There's also a bizarre decision to use different character names for McSween, Tunstall and Dolan, three of the major players in the Lincoln County War. However, the portrayals of the principal real life people is surprisingly well balanced, there's no attempts at romanticising the issues, no side picking, because both sides are equally driven and culpable for the carnage and misery that would play out during this time in Western history. As an Oater on entertainment terms it delivers wholesale, there's some staid acting, not least from Murphy, who you can see is feeling his way into how he should react in front of a camera. Yet there's a magnetic charm to Murphy that would serve him well in this specialist genre field. It also helps to have a very reliable supporting cast backing him up, be it the wonderfully named Gale Storm's beauty, or Dekker and Geer being acting professionalism personified, there's a lot to enjoy here on the thespian production front. The requisite amount of action is in full effect, as are key moments in the real story that provide some great scenes; such as the infamous jail break, while the colour photography is most pleasant. Ultimately it's a revenge story for the "B" Western loving crowd, where the villains are slippery and the anti-hero a damaged dandy. Sometimes you gotta peer through the gloss to get the facts, but what fun that proves to be. Yee-haw. 7/10
When a crooked sheriff murders his employer, William "Billy the Kid" Bonney decides to avenge the death by killing the man responsible, throwing the lives of everyone around him into turmoil, and endangering the General Amnesty set up by Governor Wallace to bring peace to the New Mexico Territory.
A cattle-vs.-sheepman feud loses Connie Dickason her fiance, but gains her his ranch, which she determines to run alone in opposition to Frank Ivey, "boss" of the valley, whom her father Ben wanted her to marry. She hires recovering alcoholic Dave Nash as foreman and a crew of Ivey's enemies. Ivey fights back with violence and destruction, but Dave is determined to counter him legally... a feeling not shared by his associates. Connie's boast that, as a woman, she doesn't need guns proves justified, but plenty of gunplay results.
Cattle baron John Chisum joins forces with Billy the Kid and Pat Garrett to fight the Lincoln County Land War in the New Mexico Territory of 1878.
Nevada Smith is the young son of an Indian American mother and European-American father. When his father is killed by three men over gold, Nevada sets out to find them and kill them. The boy is taken in by a gun merchant. The gun merchant shows him how to shoot and to shoot on time and correct.
Cole Thornton, a gunfighter for hire, joins forces with an old friend, Sheriff J.P. Harrah. Together with a fighter and a gambler, they help a rancher and his family fight a rival rancher that is trying to steal their water.
When a handful of settlers survive an Apache attack on their wagon train they must put their lives into the hands of Comanche Todd, a white man who has lived with the Comanches most of his life and is wanted for the murder of three men.
A man in search of revenge infiltrates a ranch, hidden in an inhospitable region, where its owner, Altar Keane, gives shelter to outlaws fleeing from the law in exchange for a price.
Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the consequences. There is bitter conflict between the callous Hud and his stern and highly principled father, Homer. Hud's nephew Lon admires Hud's cheating ways, though he soon becomes too aware of Hud's reckless amorality to bear him anymore. In the world of the takers and the taken, Hud is a winner. He's a cheat, but, he explains, "I always say the law was meant to be interpreted in a lenient manner."
A gunfighter and a cowboy help a Mexican girl avenge the land-related murder of her parents.
American gunslinger Sean Rafferty—aka The Montana Kid—is unable to find someone to duel in a Canadian town where no one understands the brutal code of the American Wild West.