In Their Skin
"Yours is the life they've chosen."
A couple and their young son retreat to their woodland vacation home, only to face sinister neighbors who intend to kill them and steal their identities.
"Yours is the life they've chosen."
A couple and their young son retreat to their woodland vacation home, only to face sinister neighbors who intend to kill them and steal their identities.
Selma Blair
Mary
Joshua Close
Mark
James D'Arcy
Bobby
Rachel Miner
Jane
Quinn Lord
Brendon
Alex Ferris
Jared
Matt Bellefleur
Toby
Terence Kelly
Attendant
Leanne Adachi
Medic
A couple and their young son retreat to their woodland vacation home, only to face sinister neighbors who intend to kill them and steal their identities.
The Replicants. OK! From the off I have to say I'm hardly the right person to take as gospel as regards a review for yet another home invasion movie. I have grown increasingly jaded with this sub-genre of horror, it seems that every year a handful of these type of movies get trundled out and suckers like me keep watching in the hope of finding a gem amongst the rough rocks. In Their Skin isn't a gem, in fact it's not exactly a must see frightener, but it at least tries to add something to an already stagnated sub-genre of film. Namely an identity theft angle that veers away from the usual "oh they are just psychos or hoodies" line of thinking. There is a raft of reviewers out there in internet land drawing comparisons to this being a Funny Games knock off. Now regardless of how I personally feel about Hanneke's work, is that what people are doing now? Fans of his film(s) expecting a Selma Blair, Joshua Close, Rachel Miner and James D'Arcy starring movie to take home invasion horror to a new level? When it's directed by an unknown? Really? For an hour writer and directer Jeremy Power Regimbal favours the slow burn approach, and it works because the cast are very committed, and in the case of adult villains D'Arcy and Miner there's some bona fide creepiness about their respective mannerisms. It's only when things shift away from rumbling unease into psycho/sexual territory that the fledgling director loses control and sinks to formula conventions to get his shock and awe. Not a must see, but in the context of boorish fodder like The Strangers, or higher budgeted fluff like The Purge, then this is well worth a look by those not expecting a whole new dimension of home invasion horror. It does have merits that doesn't waste your time, and beside which, James D'Arcy in this looks uncannily like Norman Bates, so that has to warrant a look! 6/10
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