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The Cesaronis

Giulio is a widower, struggling to raise three sons, Marco, Rudi, and Mimmo, as best he can. He lives in Rome's working-class Garbatella neighborhood and runs a wine shop with his two brothers. Lucia, meanwhile, comes from Milan's middle-class background; she's divorced and trying to rebuild her life with her two daughters, Eva and Alice. The two meet by chance and recognize each other: they had a fling as teenagers, many years earlier. Yet first love is never forgotten, and so Giulio and Lucia find themselves together again. Their meeting, however, changes not only the lives of a man and a woman, but also those of two families as different as could be. Two families who find themselves living under the same roof without even having had the time to get to know each other well.

The Cesaronis

7.1 N/A
48 Hours

There's no time to waste: in just 48 hours a fugitive can disappear for good! The motto of Deputy Head of Police Diego Montagna and his Catturandi squad is: “in order to know where they are, we must find out who they really are”. In order to do so, the squad must enter the minds and the hearts of the fugitives before it's too late. This battle against time will force them to face up to their own dreams, fears and weaknesses, because the only way of knowing the mind of another is to learn to know and dominate one's own.

48 Hours

NR N/A
The Countess of Castiglione

Virginia Oldoini, Countess of Castiglione, is an unscrupulous and beautiful woman, in love with Andrea Pieri, a patriot ready to do anything to free Italy from the foreign oppressor. Wounded during a chase, Pieri takes refuge in the castle of Virginia, which, with the approval of her husband, Count Francesco Verasis of Castiglione, takes care of him. Meanwhile, Nigra, in charge of the affairs of the Kingdom of Piedmont in Paris, discovers the relations of the countess with the subversives and sees in her the perfect tool to bring Napoleon closer to the Italian cause.

The Countess of Castiglione

8.0 N/A
La buona battaglia – Don Pietro Pappagallo

La buona battaglia – Don Pietro Pappagallo is an Italian television miniseries based on the true story of Don Pietro Pappagallo, a Catholic priest and Italian anti-fascist who assisted victims of Nazism and Fascism in Rome during World War II and was arrested and executed in the Ardeatine Caves massacre on March 24, 1944. It was produced by 11 Marzo Cinematografica and Rai Fiction, directed by Gianfranco Albano, written by Stefano Gabrini and Furio Scarpelli, and stars Flavio Insinna as Don Pietro. It was first released in 2006 and is distributed by Radiotelevisione Italiana and RaiTrade.

La buona battaglia – Don Pietro Pappagallo

7.0 N/A
The Black Arrow

The inspiring principle of the adaptation of the novel by R. L. Stevenson "The Black Arrow" for Tv is to shift the conflict of the War of the Two Roses from England to Tirolo, at the border between Italy and Germany, where the conflict between the Pope and the Empire takes place in the same years. This is the transition period in which Middle Age - embodied in the tyrannical feudatory Raniero von Rottemburg - gives way to Modern times - represented by Cusano and his Court. The main theme of the novel is that one cannot fight against evil by doing evil. The protagonists of our series will come to understand that the aim does not justify the means and that justice has to replace revenge. The Black Arrow is a Bildungsroman about growth and love in wartime: at the end of the 15th century the nobles connected to the Asburgo's Court fight against those related to the Church and to its spiritual master Nicolo Cusano - Nikolaus von Kues - bishop of Bressanone.

The Black Arrow

6.2 N/A
Mafalda of Savoy

The story of Mafalda is like the one of Cinderella, just the other way round. The dramatic real story of a Italian princess, born and raised in the comforts of a golden court, who will be forced by war to share the fate of ordinary people in a concentration camp. Mafalda di Savoia was chosen to represent the decline of nobility and the errors of war, which separate and destroy even noble families. Mafalda is a victim of political strategies that overlook her, and her tragic death shows the levelling power of war, that forces poor and rich alike to share the same destiny.

Mafalda of Savoy

10.0 N/A