D'Iberville is a Canadian dramatic adventure television series which aired on Radio-Canada in 1967 and 1968, and on CBC Television's English network from 1968 to 1969.
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La Ribouldingue
"The Way It Is," a Sunday night one-hour show, aired from September 1967 to June 1969. Under the executive production of Ross McLean, following the success of similar CBC programs, it attracted up to 60 contributors, aiming to challenge viewers with compelling content. Hosted by John Saywell and Barbara Frum, who honed her interviewing style here, it featured Patrick Watson, Warren Davis, Percy Saltzman, Ken Lefolii, Peter Desbarats, and Moses Znaimer. Segment producers like Perry Rosemond and Peter Herrndorf worked on the show, which covered diverse topics via studio interviews, music, commentary, panels, and documentaries. While not pushing controversy, it contributed to national dialogue. Notable productions included documentaries on airline safety and Vietnam, setting a serious tone for its era. Its influence extended to later CBC shows like the fifth estate and The Journal.
The Way It Is
Canadian comic duo Johnny Wayne and Frank Shuster continue their sketch comedy.
The Wayne & Shuster Comedy Special
Barney Boomer was a Canadian children's television series which aired on CBC Television for part of the 1967-1968 programming season. Vancouver actor John Clayton portrayed the title character.
Barney Boomer
Why are there just two nations occupying that enormous expanse of the North American continent north of the Rio Grande? Why not just one unlimited American empire? Or why not several nations? This unique work gives clear and vivid form to the immense and complex forces--economic, political, military, diplomatic, social, and geographic--that created and confirmed the U.S.-Canada border. The largest single work ever undertaken by the National Film Board of Canada, Stuggle for a Border is the result of painstaking scholarship and research, and imaginative filmmaking. Each of the nine one-hour films is entirely self-contained, though part of a larger continuity. There are no interviews, but an on-screen narrator provides commentary and perspective. The films are so constructed that, if need be, they may be shown in half-hour, or shorter, segments.