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Francesco's Mediterranean Voyage

Venetian architect and historian Francesco da Mosto sets out from Venice to cross the Mediterranean - following in the wake of his ancestor, the explorer Alvise da Mosto - to discover the cities and islands where Western civilization was born. Sailing in a late nineteenth-century yawl, his journey starts in Venice and finishes in Istanbul. Along the way he takes in spectacular ruins, like the Acropolis in Athens and the Lycian Tombs in Turkey; sacred sites like the monasteries of Mount Athos and the Hagia Sophia in Istanbul; and beautiful Dubrovnik (destroyed and rebuilt in the last decade). Ancient history and bygone legends intertwine as Francesco visits these wonderful ancient sites, bringing the past vividly to life, and taking viewers on a thrilling cultural odyssey.

Francesco's Mediterranean Voyage

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Picasso: Magic, Sex & Death

Picasso: Magic, Sex, & Death is a three-episode Channel 4 film documentary series on Pablo Picasso presented by the artist's friend and biographer John Richardson, and directed by Christopher Bruce or British art critic Waldemar Januszczak, who was also the series director. On-screen contributors include Picasso descendants such as Paloma Picasso, Bernard Ruiz-Picasso, Diana Widmaier-Picasso, Maya Picasso, and Claude Picasso; along with authorities such as Mary Ann Caws, Billy Klüver, Gérard Régnier, James Lord, Bernard Minoret, Robert Rosenblum, Linda Gasman, Marilyn McCully, David Gilmore and Gertje Utley; one former mistress; and one flirtation.

Picasso: Magic, Sex & Death

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Bognor or Bust

Bognor or Bust was a 2004 UK television panel game, on the subject of news and current affairs. Produced by 4DTV for ITV, the show conventionally gave contestants the opportunity to win prizes, yet was comedic in style. It combined members of the public and celebrities on the same panel. The show was hosted by comic actor and presenter Angus Deayton. His hosting of this show was largely viewed as his next step after being ousted from Have I Got News For You. Designing the style of the show to be similar to that of HIGNFY may have been deliberate. Before the game began, the two contestants picked two out of a group of four celebrities to play on their team. In Round 1, Deayton asked a series of questions on the week's news, to be answered on the buzzer. At the end of the round, there was a quick recap of the scores. For the End of Part 1, the viewers were shown a picture with something missing, and were asked to guess what it is during the commercial break. In Part 2, the missing object was revealed and Round 2 commenced. The player in the lead chose one of two pictures that served as cryptic clues to a certain category. The team then had to answer a succession of quick-fire questions within that category in a time limit. Afterwards, the process repeated with the other team and the other category. At the end of Round 2, the player with the most points proceeded to the final round.

Bognor or Bust

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Light at the Edge of the World

Light at the Edge of the World examines this distressing truth, tracking four indigenous cultures. Humanity may be losing half of its intellectual, social and spiritual legacy in a single generation, as the world loses a reported one language about every two weeks. Light at the Edge of the World examines this distressing truth, tracking four indigenous cultures, each uniquely dedicated to the preservation of their customs in the face of modernization: Inuit, Nepali Buddhist, pan-Andean and Polynesian.

Light at the Edge of the World

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Ware Tier

In German kitchens, over 7 billion eggs are cooked every year, more than 2.3 million tons of meat are consumed, 29 billion liters of milk are drunk and more and more fish is being eaten. But where does all this come from? Is the fish caught by a white-bearded captain with a crew of children? Does the chicken live on an idyllic farm with a rooster on the manure? And are pigs actually always happy and cows purple and colorful? The reality is different - a world full of battery hens, huge fish farms and slaughterhouses. Animals are production units - without a soul, without the right to a life. The main thing is cheap. This documentary provides unsparing insights into the depths of the factory farming industry and reveals the true origins of our food, free from suggestive advertising messages.

Ware Tier

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