Explore TV Series

9,640 Matches Found

Alles muss raus

The drugstore chain "Faber" is facing closure: company boss Max Faber has lost so much money through stock speculation that planned insolvency seems to him to be the only sensible way out. The jobs of all employees are at stake, but the chain's founder cares as little about this as he does about the modernization proposals of his own daughter Kerstin, who has always played second fiddle in the company empire. Fate brings Kerstin and Janine, one of the sales assistants in a branch, together, and together they take action against the redundancies and exploitative measures of Max Faber. But the highly explosive power struggle between father and daughter is far from over.

Alles muss raus

NR N/A
Werwölfe – Das Spiel von List und Täuschung

At the centre of the game show are 13 candidates who try to play a dangerous game of truth and lies with the aim of exposing the hidden werewolves before they themselves are eliminated from the game. This is because three of the participants belong to the secret ‘werewolf’ trio, who are doing everything they can to remain unrecognised and strategically eliminate the other candidates. Who is lying? Who can trust whom? Who will be the next to go?

Werwölfe – Das Spiel von List und Täuschung

8.5 N/A
Die Gäste des Felix Hechinger

Felix Hechinger, head doorman at the Hotel Excelsior, has a soft spot for people and therefore believes that hotel guests shouldn’t be left to fend for themselves. As a result, he’s always kept busy making sure the guests are satisfied. "Corrigez la fortune" is his motto. To play the role of fate imperceptibly and gently—that is what Hechinger aims to do, even if he does not always receive thanks and his interventions in other people’s affairs sometimes turn out to be missteps.

Die Gäste des Felix Hechinger

8.0 N/A
Automania

The two-part documentary “Automania” unfolds the history of the automobile as a relationship between man and machine. The car: drug, technical wonder, object of desire. Like hardly any other machine, the car is more than that. It is loved, cherished and cared for, protected and used for self-expression. At the same time, it is a sign of economic prosperity: whoever drives a (certain) car has made something of himself. And what applies individually also applies to societies: The car creates jobs and prosperity. But the dream relationship that lasted for 100 years has fallen into crisis. The films tell in an entertaining, moody and emotional way about the rise of the car to become an icon of the West and suggest future prospects. The films combine factual informations with nostalgically colourful memories of eyewitnesses. In addition, there are statements by experts as well as politicians and business representatives.

Automania

8.0 N/A