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Tokyo Cinderella Story

Yukiko (Wakui Emi) has been living in Tokyo for three years. Inside her heart, she believes that this beautiful city will certainly bring her happiness. This belief starts to realise one day when she has a chance encounter with Masashi (Karasawa Toshiaki) while welcoming her brother, Kikuo (Kishitani Goro), at a railway station. As Masashi is the son of a very rich businessman, and Yukiko is only an ordinary girl from the countryside, their together is highly obstructed by lots of barriers. However, Yukiko's kind-hearted personality finally wins Masashi's love, and he takes out his courage to turn down marrying his rich fiancee. --Snowflakes

Tokyo Cinderella Story

7.8 N/A
Sydney New Year's Eve

Sydney New Year's Eve is an annual multi-tiered event held every New Year's Eve over Sydney Harbour, centering on the Harbour Bridge. Its main features are two pyrotechnic displays, the 9pm Family Fireworks and the Midnight Fireworks, both of which are televised nationally with the latter also televised around the world. Each year the event takes on a new theme and is regularly viewed by more than one million people at the harbour and one billion worldwide for the televised Midnight Fireworks. For the 2010–11 event, an audience of 1.5 million watched the display at the river bank and 1.1 billion are reported to have watched it globally.

Sydney New Year's Eve

NR N/A
Farewell, Mr. Premier

What happens when the Prime Minister of Japan suddenly has the lowest approval ratings in history? Tamura Masakazu plays an unpopular Prime Minister who faces daily protests of citizens, inside betrayals, and the decision of a new Chief Cabinet Secretary. He makes an unprecedented selection, choosing his daughter's private tutor, who is only in his 20s and not even a politician! Will the Prime Minister be able to turn his ratings around, or will he be forced to resign? This drama focuses on the government of Japan, with a comedic twist.

Farewell, Mr. Premier

10.0 N/A
Ying Xiong Wu Hui

Gao Tian, ​​a top student at the police academy, was assigned to work in the Nanbin City Public Security Bureau after graduation. He sadly left the police force after being unfairly punished in an economic case. After several years of struggle, Gao Tian re-emerged as the Deputy Director of an Economic Development Zone in Guangzhou and became a promising young leader in the economic field. Just when his career and life were going smoothly, the Deputy Director of the Public Security Department recognized talents, revoked the wrong punishment against Gao Tian, ​​and urged him to return to the Nanbin City Public Security Bureau, which put him in a dilemma.

Ying Xiong Wu Hui

8.0 N/A
Hawkeye (The First Frontier)

Hawkeye is a television series, airing in syndication for one season during 1994-1995, and produced by Stephen J. Cannell. The series was filmed in North Vancouver and Vancouver, British Columbia, Canada. Based on characters from the Leatherstocking Tales, a set of novels written by James Fenimore Cooper, the series takes place in 1755 Hudson Valley, New York during the French and Indian War. It follows the main character, Natty Bumppo, his Native American companion Chingachgook, trading post owner Elizabeth Shields and other people stationed at or living in the vicinity of Fort Bennington.

Hawkeye (The First Frontier)

6.8 N/A
I Won't Live in My Father's Glbab

The events of the series revolve around the story of the rise from the bottom to the top of Abdel Ghafour Al Borai (Noor Al Sharif), starting from the agency of Hajj Ibrahim Sardinah (Abdul Rahman Abu Zahra) until he becomes a private business owner who makes a fortune, during which he has admired Fatima (Abla Kamel), a saleswoman. Al-Kushari, whom he admired, passes the days and marries Fatima and gives birth to his son Abdel-Wahhab (Mohamed Riyad), and four girls (Sunni, Bahira, Nafisa, and Nazira), and despite the availability of the elements of happiness in the life of Abdel Ghafour Al-Borai, he suffered from the separation of his only son. About him, and Abdel Wahab's insistence on building a very special world away from his father and his influence.

I Won't Live in My Father's Glbab

8.4 N/A
Team Knight Rider

Team Knight Rider is a syndicated television series that was adapted from the Knight Rider franchise and ran between 1997 and 1998. TKR was created by writer/producers Rick Copp and David A. Goodman, based on the original series created by Glen A. Larson, who was an executive producer. TKR was produced by Gil Wadsworth and Scott McAboy and was distributed by Universal Domestic Television and ran only a single season of 22 one-hour episodes before it was canceled due to poor ratings. The story is about a new team of high-tech crime fighters assembled by the Foundation for Law and Government who follow in the tracks of the legendary Michael Knight and his supercar KITT. Instead of "one man making a difference", there are now five team members who each has a computerized talking vehicle counterpart. Like the original duo, TKR goes after notorious criminals who operate "above the law" – from spies and assassins, to terrorists and drug dealers. The final episode of the season, and series, featured the reappearance of Michael Knight, seen only from behind, at the very end.

Team Knight Rider

7.2 N/A
Amores de Fin de Siglo

Amores de Fin de Siglo is a Venezuelan telenovela that was produced by and seen on Venezuela's Radio Caracas Televisión. It was written by Leonardo Padron, Carlos Perez, Mariana Reyes, and Doris Segui, scripted by Carlos Perez, Mariana Reyes, and Doris Segui and directed by Luis Manzo. Carmen Cecilia Urbaneja was the telenovela's Executive Producer, Leonardo Galavis was the Exterior Director, and Leonor Sardi was the General Producer. This telenovela lasted 133 episodes and was distributed internationally by RCTV International.

Amores de Fin de Siglo

7.5 N/A
Otto – The Series

“Otto – The Series” is an unusual comedy format from the early 1990s centred on Otto Waalkes, blending classic crime entertainment with Otto’s distinctive brand of humour. Rather than telling a continuous story, the series combines newly shot sketches featuring Otto with scenes from old Edgar Wallace films. These original sequences were re-dubbed, completely transforming their content. Dialogue that was once serious turns into absurd wordplay, and the originally suspenseful plots are deliberately played for laughs. In this way, Otto effectively “smuggles” himself into the dark world of the Wallace films, turning it into a parody driven by nonsense, running gags, and his characteristic humour. The result is an idiosyncratic mix of crime and comedy, whose particular charm lies above all in its playful use of the original material.

Otto – The Series

8.0 N/A