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Young Guns

Every day of Roma and Zhenya's teenage brothers goes the same way, on the machine: alarm clock, study, cigarette behind the garage, a warehouse with weapons ... wait, what? The guys decide that this is a chance to quickly cut down easy money, because all you have to do is sell the machines on the darknet. But where there are weapons, there are dangerous people — that's where the fun begins. Very soon, all the residents of the town are involved in the story: single mother Svetlana, pawnshop owner Albert, tattoo artist Lelya, policeman Basov, his blogger daughter Milena, as well as the capital's bandits.

Young Guns

7.3 N/A
Ashes to Crown

The general's daughter, Chu Zhao, refuses to accept her fate as nothing more than a pawn to be sacrificed in Xiao Xun's rise to power. Taking matters into her own hands, she fights her way out with the help of Xie Yanlai, protecting the emperor's grandson as he makes his way to the emperor's presence. Through a tense standoff in the imperial court, she helps the young prince secure the throne, cutting off Xiao Xun's path to power. But with a new emperor comes new crises. The realm is torn by internal strife and foreign threats. Working alongside Xie Yanlai, Chu Zhao navigates the treacherous currents of the court, leads troops into battle, and ultimately rewrites her own destiny, sparing the people of the State of Chu from the ravages of war.

Ashes to Crown

7.5 N/A
Matinee Theater

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

Matinee Theater

5.3 N/A
Love Actually

This is a show that focuses on the brave and straightforward love of ordinary adults from late 20s to mid-40s. It concerns relationships, marriage, and a multitude of social interactions. The show will invite 12 men and women to stay under the same roof for 30 days. Some may become couples in the end while others might part ways. In the TV studio, the celebrities and the ordinary people will gather together to follow the series and share their opinions and experience about love.

Love Actually

5.2 N/A
City Japes July 1987

"City Japes July 1987" is a classic sitcom set in a building in the Garden City. The story revolves around three families - the Xus, the Leungs, and the Sus - who live in the same building and interact with each other. Despite occasional conflicts, the families are close-knit and share heartwarming moments. The Xus are known for their helpfulness, the Leungs are a loving couple, and the Sus have three siblings with distinctive personalities. The show features many memorable characters, including coworkers and friends of the families.

City Japes July 1987

NR N/A
NieR:Automata Ver1.1a

The distant future, 5012. The sudden aerial invasion of Earth by <Aliens> and their creations <Machine Lifeforms> led mankind to the brink of extinction. The surviving number of humans who took refuge on the moon to organize a counterattack using <android> soldiers to recapture Earth. However, the war reaches a stalemate as the <Machine Lifeforms> continue to multiply infinitely. In turn, humanity deploys anew unit of android soldiers as an ultimate weapon: <YoRHa> Newly dispatched to Earth <2B> joins <9S>, the analyst currently stationed there, where amid their mission, they encounter a myriad of mysterious phenomena... This is the story of these lifeless <androids> and their endless fight for the sake of mankind.

NieR:Automata Ver1.1a

8.1 N/A
Spare Me, Great Lord!

Lü Shu is a frail teenager with an iron will. After losing his parents, he enrolls in a prestigious high school while working for a living and looking after his adoptive sister, Lü Xiaoyu. However, Lü Shu's quiet life abruptly changes when a car accident awakens his latent cultivation superpowers. Now cured of his physical weakness, he decides to hide his newfound abilities, as the art of cultivation is still shrouded in mystery—and the fate of cultivators uncertain. Meanwhile, Tian Luo Di Wang, the international foundation responsible for monitoring the cultivators, sets its plans in motion. Under the impetus of their member Xi Fei, a special cultivation training group is established in Lü Shu's high school. Although Lü Shu is forced to join the program, he is determined to hide the nature of his fearsome power, for his cultivation draws from an unlimited resource: the negative emotions of others brought about by his actions.

Spare Me, Great Lord!

7.6 N/A