Explore TV Series

7,375 Matches Found

The Fearless Duo

Master Cheung gets injured after fighting with the cult leader Suen Ci. He runs away and meets his future apprentice Szeto Man Mo, as well as the government official’s daughter Lam Chor Yin. Mo is engaged to Yin but he is not devoted to her at all. Even though Yin loves him wholeheartedly, Mo deserts her on their wedding day. Soon after, Mo falls for an actress Fa Ying Fung, knowing nothing of her veil of deceit. After being hurt seriously by Fung, Mo realizes that Yin is his true love and he returns to her eventually. Unfortunately, Yin’s spirit is captured by Ci on their wedding night. In order to rescue his wife, Mo starts practicing black magic but this leads to disastrous outcomes.

The Fearless Duo

8.0 N/A
Saturday Live

Saturday Live was a British television comedy and music show broadcast by Channel 4 from 1985 to 1987, and in 1988 as Friday Night Live. Influenced by the American show Saturday Night Live, it was produced by Paul Jackson. The series made stars of Ben Elton, Harry Enfield, Stephen Fry and Hugh Laurie, and featured appearances by Patrick Marber, Morwenna Banks, Chris Barrie, Emo Philips, Craig Ferguson, Craig Charles and many others. The show featured comic duo Adrian Edmondson and Rik Mayall in their act The Dangerous Brothers. All episodes were transmitted live, although some material was pre-recorded. Recordings of shows were edited into compilation repeats, retitled Saturday Almost Live. The show was succeeded by Friday Night Live, a shorter and slightly more tightly-formatted show with Elton as the permanent host, which ran for a single series in 1988. The show's titles consisted of reforming clay animations, highly comparable to early MTV idents.

Saturday Live

7.0 N/A
Masterpiece Mystery!

Created as a mystery, police and crime drama spin-off of Masterpiece Theatre; from 1980 to 2007, Mystery! aired mostly British crime series purchased from or co-produced with the BBC or ITV and adapted from British mystery fiction. In 2002, due to pressure to include more American material, a series based on the novels of US mystery writer Tony Hillerman was produced, but the vast majority of Mystery! programming has always been and continues to be British literary adaptations co-produced with UK-based production companies. In 2008, PBS combined Mystery! with Masterpiece Theatre under the umbrella title Masterpiece, which includes the sub-brands Masterpiece Classic, Masterpiece Mystery!, and Masterpiece Contemporary.

Masterpiece Mystery!

NR N/A
MacGruder and Loud

MacGruder and Loud is an American crime drama from Aaron Spelling Productions that aired on ABC in 1985. The series stars John Getz and Kathryn Harrold as married police officers Malcolm MacGruder and Jenny Loud in a Los Angeles Police Department-styled police agency. They fought a battle every day to keep it a closely guarded secret from their boss, Sgt. Hanson. Malcolm and Jenny lived in a duplex-type apartment complex where there was a secret door behind the grandfather clock in her apartment, where Malcolm could sneak in and enjoy her company. This was one of the few failures from Aaron Spelling's production company in its history, since it was picked by ABC to debut right after the Super Bowl in 1985 and was heavily promoted during the game. The promotion resulted in high ratings at first, but following a quick decline, the series was cancelled three months into its run, after ranking 40th out of 104 programs that aired that season with an average 15.76 household rating, according to TVTango.com. Because of the frequent commercials during the Super Bowl, the following night Johnny Carson ask rhetorically during his monologue on The Tonight Show: "Did you see that new show, 'Frequent and Loud'?"

MacGruder and Loud

5.3 N/A
Rockliffe's Babies

Rockliffe's Babies is a British television police procedural devised by Richard O'Keefe, and starring Ian Hogg as maverick Detective Sergeant Alan Rockliffe, who is assigned to train seven young recruits to the CID, all fresh out of uniform. Under his irascible guidance, it is hoped that they will blossom into full-blown detectives. But Rockliffe is human – so human that he makes more mistakes than the 'Babies' he's supposed to be training. A follow-up series, Rockliffe's Folly, follows Rockliffe through his relocation to Wessex, dealing with rural crimes as part of a new team of investigators. The seven episode third series proved to be the last, with many citing a change in the programme's formula for the heavy ratings decline. Many viewers stated that the success of the two Babies series came not from Rockliffe himself, but from the popular ensemble cast.

Rockliffe's Babies

5.8 N/A
Wonder Beat Scramble

The 13-year-old Benny's father has mysteriously disappeared on an expedition to Sirius. Almost at the same time, attacks start from the alien intars to the Earth dwellers. They implant themselves in the bodies of the inhabitants of the earth. Due to the mysterious disappearance of Benny's father, he is accused of making common cause with the intars. Benny, who has remained behind, suffers greatly from these accusations and hopes one day to be able to unravel the mystery of his father's disappearance and that of the intars. He joins the "White Pegasus," a special unit to combat the Intars and fight together with them against the aliens in the human body. For this, they scale a spaceship down to microscopic size and infiltrate it into the infested body.

Wonder Beat Scramble

10.0 N/A
This is NFL Films

Much has been made of the Films style. Salon.com television critic Matt Zoller Seitz has called NFL Films "the greatest in-house P.R. machine in pro sports history . . . an outfit that could make even a tedius stalemate seem as momentous as the battle for the Alamo."[5] NFL Films productions follow certain patterns. Film is mostly used, one camera is dedicated entirely to slow motion shots, microphones are present on the sidelines and near the field to pick up both the sounds of the games as well as the talk on the sidelines, and narrators with deep, powerful, baritone voices are preferred. Narrators have generally been from the Philadelphia metropolitan area, with well-known announcers such as Jefferson Kaye, Harry Kalas, John Facenda, Andy Musser, Jack Whitaker, William Woodson, and current announcer Scott Graham all having narrated NFL Films presentations at various points in time. J.K. Simmons was tapped to narrate the company's one-hour recap of the 16-0 regular season of the 2007 New England Patriots, while actor Burt Lancaster was tabbed for narrations during 1969. Burl Ives narrated the 1971 Washington Redskins highlight film. Team-specific films such as year-in-review films have occasionally been narrated by broadcasters or personalities involved with the team in question. Examples include the 1985, 2000 and 2001 Oakland Raiders season reviews being narrated by actor and former Raiders player Carl Weathers. Former Giant Frank Gifford periodically narrated New York Giants season reviews (notably the company's throwback-themed 2013 season recap) until his death in 2015, and ex-Giants teammate Pat Summerall narrated highlight films for many teams until his death in 2013. New England Patriots play-by-play announcer Gil Santos narrated the year-in-review films of the 1974, 1976, and 1978 seasons, and New Orleans Saints films from their inception in 1967 through 1979 were narrated by Don Criqui, who called Saints games for the NFL on CBS in the team's early years, and radio announcers Al Wester and Wayne Mack. The style has been called tight on the spiral, a reference to the frequently-used slow-motion shot of the spinning football as it travels from the quarterback's hand to the receiver. This shot usually consists of showing the quarterback throwing the football, then the camera zooming in to focus on the spinning ball, then, as the ball starts to descend, the camera zooms out, showing the end result of the ball traveling into the receiver's hands. NFL Films also dubs sound bites of local radio broadcasts over key plays, because radio announcers are typically more enthusiastic about their home teams than are network television broadcasters. In addition, NFL Films often uses multiple camera angles (with an emphasis on close-up shots that often exaggerate the speed of the players in real time). The company's films also employ muscular orchestral scores from a wide variety of musicians, notably Sam Spence, Johnny Pearson (whose "Heavy Action" became the theme for Monday Night Football) Frank Rothman, Ralph Dollimore, Udi Harpaz, Malcolm Lockyer, Jan Stoeckart (under his varied stage names such as Jack Trombey), Peter Reno, Paul Lewis, Prameela Tomashek, Dave Robidoux and Tom Hedden. The company's use of KPM Musichouse tracks also notably included Syd Dale; tracks include "Malestrom" for the company's 1968 Minnesota Vikings season highlight reel and also the psychedelic-flavored jazz track "Artful Dodger" on the film recap of Super Bowl V, specifically during the montage which shows Johnny Unitas' 75-yard touchdown pass to John Mackey which was tipped in flight by Eddie Hinton and Mel Renfro before bounding to Mackey. The company also makes prolific use of footage of players and coaches in the locker room after the game. With these techniques NFL Films turns football games into events that mimic ballet, opera, and epic battle stories. Among the company's most famous creations is the poem and accompanying music cue "The Autumn Wind", which have become official themes for the Oakland Raiders.

This is NFL Films

10.0 N/A
Lytton's Diary

Lytton's Diary is a 1985–86 British comedy-drama programme created and written by Peter Bowles and Philip Broadley. Produced by Thames Television for ITV, it originated as a single play on the anthology programme Storyboard before expanding into two popular series, known for their mix of glamour, intrigue, and social commentary. Bowles stars as Neville Lytton, a suave and successful Fleet Street gossip columnist for the Daily News. Lytton navigates the world of high-society scandals, political corruption, and personal challenges, balancing his professional life with his love life and his ambition to write a novel.

Lytton's Diary

7.3 N/A