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Wacky Races

Wacky Races is an animated television series produced by Hanna-Barbera that originally aired in 1968. The show is a parody of traditional car races, featuring a variety of eccentric characters and their outlandish vehicles, all racing across different terrains in a madcap competition for first place. The series is centered around a group of 11 racers, each with their own unique vehicle and distinct personality. The main characters include Dick Dastardly and his dog Muttley, who are always trying to cheat and sabotage the other competitors, although they never succeed. Other notable racers include Penelope Pitstop, the glamorous but tough driver; the adventurous Red Max; and the lovable duo, the Slag Brothers, who drive a massive, rock-like car.

Wacky Races

7.3 N/A
Out of the Unknown

Out of the Unknown is a British television science fiction anthology drama series, produced by the BBC and broadcast on BBC2 in four series between 1965 and 1971. Each episode was a dramatisation of a science fiction short story; some were created for the series, but most were adaptations of already published stories. The first three years were exclusively science fiction, but that genre was abandoned in the final year in favour of horror and fantasy. A number of episodes were wiped during the early 1970s, as was standard procedure at the time.

Out of the Unknown

7.1 N/A
Sergeant Cork

Sergeant Cork is a British detective television series which first aired between 1963 and 1968 on ITV. It was a police procedural show that followed the efforts of two police officers and their battle against crime in Victorian London. In all 66 hour-long episodes were aired during the five-year run, although the last episode was not broadcast until January 1968, 16 months after the others. Journalist Tom Sutcliffe has credited it as a first example of the use of the Victorian-era policeman in a television crime series. A 1969 review in The Age opined that rather than suspense, the strengths of the series were its "excellent period settings and wonderfully thick pea-soupers" which "add up to splendid evocative stuff", as well as the performance of star John Barrie. At no time during the whole series is Sergeant Cork's first name given.

Sergeant Cork

7.2 N/A
Das Kriminalmuseum

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.

Das Kriminalmuseum

8.0 N/A
Jeux Sans Frontières

Jeux sans frontières ("Games Without Borders" in French) was a Europe-wide television game show, based on the French programme Intervilles which was first broadcast in 1962. In its original conception, it was broadcast from 1965 to 1999 under the auspices of the European Broadcasting Union (EBU), which owned the format. In non French-speaking countries, the show had alternative titles. It is also widely known as "It's a Knockout", the title of the BBC's domestic version and national selection for the programme.

Jeux Sans Frontières

8.7 N/A
Gideon's Way

Gideon's Way is a British television crime series made by ITC Entertainment in 1964/65, based on the novels by John Creasey. The series was made at Elstree in twin production with The Saint TV series. It starred Liverpudlian John Gregson in the title role as Commander George Gideon of Scotland Yard, with Alexander Davion as his assistant, Detective Chief Inspector David Keen, Reginald Jessup as Det. Superintendent LeMaitre, Ian Rossiter as Detective Chief Superintendent Joe Bell and Basil Dignam as Commissioner Scott-Marle. The show did not acknowledge any help from Scotland Yard, any other police force or advisor. Daphne Anderson starred as his wife, Kate with Giles Watling as young son, Malcolm, Richard James as older son, Matthew who seemed to have a lot of new girlfriends and Andrea Allan as daughter, Pru. Unusually for police stories, Gideon was shown as a family man at home though urgent phone calls from his bosses tend to disrupt family plans too often. However, he did admit in "State Visit" that his wife had walked out on him for a while years ago when he put the job first and her second. They live in an expensive detached house in Chelsea.

Gideon's Way

7.0 N/A
The Forsyte Saga

The Forsyte Saga is a 1967 BBC television adaptation of John Galsworthy's series of The Forsyte Saga novels, and its sequel trilogy A Modern Comedy. The series follows the fortunes of the upper middle class Forsyte family, and stars Eric Porter as Soames, Kenneth More as Young Jolyon and Nyree Dawn Porter as Irene. It was adapted for television and produced by Donald Wilson and was originally shown in twenty-six episodes on Saturday evenings between 7 January and 1 July 1967 on BBC2, at a time when only a small proportion of the population had television sets able to receive this channel. It was therefore the repeat on Sunday evenings on BBC1 starting on 8 September 1968 that secured the programme's success with 18 million tuning in for the final episode in 1969. It was shown in the United States on public television and broadcast all over the world, and became the first BBC television series to be sold to the Soviet Union.

The Forsyte Saga

8.5 N/A
Ready Steady Go!

Ready Steady Go! is one of the UK's first rock/pop music television programmes and was a forerunner of MTV-type programming. It was conceived by Elkan Allan, head of Rediffusion TV. Allan was assisted by record producer/talent manager Vicki Wickham, who became the show's producer, and Michael Lindsay-Hogg who was appointed the show's director in 1965. It was broadcast from August 1963 until December 1966. It was produced by Associated-Rediffusion the weekday ITV contractor for London, called Rediffusion-London post 1964. The live show was eventually networked nationally. The show gained its highest ratings on 20 March 1964 when it featured the Beatles being interviewed and performing their songs "It Won't Be Long", "You Can't Do That" and "Can't Buy Me Love" - the last of which was a hit at the time. RSG! USA! was a Dick Clark production in 1964. A trademark infringement ended the show after six episodes. Its last episode was broadcast on 23 December 1966.

Ready Steady Go!

7.0 N/A
Les Shadoks

Les Shadoks is an animated television series created by French cartoonist Jacques Rouxel which caused a sensation in France when it was first broadcast in 1968-1974. The Shadoks were bird-like in appearance, were characterised by ruthlessness and stupidity and inhabited a two dimensional planet. Another set of creatures in the Shadok canon are the Gibis, who are the opposite to the Shadoks in that they are intelligent but vulnerable and also inhabit a two-dimensional planet. Rouxel claims that the term Shadok obtains some derivation from Captain Haddock of Hergé's The Adventures of Tintin and the Gibis are essentially GBs. The Shadoks were a significant literary, cultural and philosophical phenomenon in France. Even today, the French occasionally use satirical comparisons with the Shadoks for policies and attitudes that they consider absurd. The Shadoks were noted for mottos such as: ⁕"Why do it the easy way when you can do it the hard way?" ⁕"When one tries continuously, one ends up succeeding. Thus, the more one fails, the greater the chance that it will work."

Les Shadoks

7.0 N/A
Fireball XL5

Fireball XL5 is a science fiction-themed children's television show following the missions of spaceship Fireball XL5, commanded by Colonel Steve Zodiac of the World Space Patrol. The show was produced in 1962 by husband and wife team Gerry and Sylvia Anderson through their company APF, in association with ATV for ITC Entertainment. While developing his new show, Anderson thought a brand of motor oil—Castrol XL—had an interesting sound. A phonetic change created the name "Fireball XL", with the "-5" added as the title seemed a bit flat without the numeral. The show featured the Andersons' Supermarionation, a form of puppetry first introduced in Four Feather Falls and Supercar and used again in their subsequent productions such as Stingray and Captain Scarlet. Thirty-nine black and white half-hour episodes of Fireball XL5 were made on 35mm film: all future Anderson series were produced in colour. Several Anderson series have been shown in syndication in the US, but Fireball XL5 is the only Anderson series to have run on a US network. NBC ran the series in its Saturday morning children's block from 1963 through to September 1965. A similar programme often confused with Fireball XL5 is Space Patrol, produced by Gerry Anderson's ex business partner and co-founder of AP Films, Arthur Provis due to a number of similarities and settings.

Fireball XL5

6.4 N/A
The Beatles

The Beatles is an American animated television series featuring the fanciful and musical misadventures of the popular English rock band of the same name. It ran from 1965 to 1969 on ABC in the US. The series debuted on September 25, 1965 and ended on September 7, 1969. A total of 39 episodes were produced. The series was shown on Saturday mornings at 10:30 AM EST until the 1967 third season when it was moved to 12:00 PM EST. For the fourth season, which consisted of reruns, the series was shown at 9:30 AM EST on Sunday mornings. Each episode has a name of a Beatles song, so the story is based on its lyrics and it is also played at some time in the episode. The original series was rebroadcast in syndication by MTV in 1986 and 1987 and on the Disney Channel. The series was a historical milestone as the first weekly television series to feature animated versions of real, living people.

The Beatles

6.2 N/A
Tempo

A long-running ITV arts and culture series that aired from 1961 to 1968, Tempo was a landmark British television programme dedicated to the performing and visual arts. With a flexible magazine format and an open editorial remit, the series explored cinema, music, dance, photography, literature, theatre, and contemporary cultural life. Combining intellectual ambition with accessible presentation, Tempo established a model for serious arts broadcasting on commercial television and laid the groundwork for later landmark programmes such as Aquarius and The South Bank Show.

Tempo

8.0 N/A