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Moi Renart

The series revolves around the adventures of Renart (voiced by Jean-Pierre Denys), a young and mischievous fox who has just moved to Paris from the countryside, accompanied by his pet monkey Marmouset. He moves to the city to get a job and visit his grumpy and stingy uncle, Isengrim, who is a deluxe car salesman, and his reasonable yet dreamy she-wolf aunt, Hirsent. Reynard meets Hermeline, a young and charming motorbike-riding vixen journalist. He immediately falls in love with her and tries to win her heart during several of the episodes. As Reynard establishes himself into Paris, he creates a small company at his name where he offers to do any job for anyone, from impersonating female maids to opera singers.

Moi Renart

3.7 N/A
The Haunting of Cassie Palmer

The Haunting of Cassie Palmer is a British television drama for children produced in 1981 by TVS and first broadcast on 26 February 1982. The series was based on a novel by Vivien Alcock. In the United States, it was carried on the Nickelodeon television channel as part of the series The Third Eye. Nickelodeon had only been a cable channel for a short time when it added The Third Eye series to its live-action line up. The Third Eye was a sci-fi/supernatural anthology that included Into the Labyrinth, The Haunting of Cassie Palmer, Children of the Stones and Under the Mountain. Later The Witches and the Grinnygog was added. Some modern sources erroneously state that The Haunting of Cassie Palmer was shot in New Zealand, whereas contemporary sources indicate Sussex, England. The confusion has probably arisen because of a 1986 New Zealand TV production called The Haunting of Barney Palmer.

The Haunting of Cassie Palmer

NR N/A
Five-Minute Films

In 1975, the BBC hired Mike Leigh to create a series of Five-Minute Films. Leigh, a master of kitchen sink naturalism, explained his garrulous bursts of plot and character: ‘I thought it was a cracking idea, and I would have done forty of them or fifty ‘ so you’d see them all the time, and sometimes you might see a character you never saw again, sometimes you might see somebody popping up for a moment and then be a main character in another one, or there’d be a couple of ones that would run on to a narrative. It would be a whole microcosm of the world. There was debate about whether they should be shown at the same time or they should be dotted around the channel, like currants in the pudding, as Tony Garnett, the producer, called it.’ Although these were made in 1975, they were not broadcast until 1982. Mike Leigh had originally intended to make around 50 of these five-minute stories, but only these five pilots ended up getting made.

Five-Minute Films

10.0 N/A