Explore TV Series

Omnibus was an arts-based BBC television documentary series, broadcast mainly on BBC1 in the United Kingdom. The programme was the successor to the long-running arts-based series 'Monitor'. It ran from 1967 until 2003, usually being transmitted on Sunday evenings. During its 35-year history, the programme won 12 Bafta awards. Among the series' best remembered documentaries are Cracked Actor, a profile of David Bowie, and Rene Magritte, a graduate film by David Wheatley, 'Madonna: Behind the American dream', a film produced by Nadia Hagger, and a profile of the British film director Ridley Scott. For a season in 1982, the series was in a magazine format presented by Barry Norman. The series was replaced by 'Imagine' hosted by Alan Yentob.

Aktenzeichen XY … ungelöst is a German television programme broadcast since October 1967 on ZDF that aims to combat and solve crimes. Until 2003 it was produced in co-operation with the Austrian public service broadcaster ORF and Schweizer Fernsehen, a division of the Swiss public broadcaster SRG SSR idée suisse. It was the basis for the BBC show Crimewatch, the Dutch show Opsporing Verzocht and its US equivalent America's Most Wanted.

A monthly series of highly personal documentary films in which individuals are given a platform to discuss issues close to their heart.

A series of films from all over the world about our astonishing planet and the creatures that live on it. Combining natural history with an element of adventure, the series featured well-known naturalists such as Jane Goodall and Gerald Durrell, and the oceanographer Jacques Cousteau. Succeeded by The Natural World.

In this CBS News report, Leonard Bernstein examines creativity in pop music of the mid 1960s. This is probably one of the first examples of pop music being examined as a "serious" art form.

This BBC documentary film shows, for the first time anywhere, the actual events of both sides of a genuine industrial conflict. The dispute is shown exactly as it happened; there was no preparation or rehearsal.

Why are there just two nations occupying that enormous expanse of the North American continent north of the Rio Grande? Why not just one unlimited American empire? Or why not several nations? This unique work gives clear and vivid form to the immense and complex forces--economic, political, military, diplomatic, social, and geographic--that created and confirmed the U.S.-Canada border. The largest single work ever undertaken by the National Film Board of Canada, Stuggle for a Border is the result of painstaking scholarship and research, and imaginative filmmaking. Each of the nine one-hour films is entirely self-contained, though part of a larger continuity. There are no interviews, but an on-screen narrator provides commentary and perspective. The films are so constructed that, if need be, they may be shown in half-hour, or shorter, segments.

An interview that Mr. Jack Kerouac gave in 1967 (just two (2) years before he passed away) in French (he was a Franco- American, and his first language, the one his family spoke at home in Lowell, Massachusetts, where he was raised, was French), on a TV show entitled "Le sel de la semaine" ("The Salt of the Week")